Picture Quotes
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Big picture, it's amazing to create characters and see them brought to life in the art. And to love that art. But I especially enjoy writing a character with heightened powers that aren't especially useful to him.
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I'm friends with Taylor Swift, and I am tired of people asking me questions about our friendship. When I post a picture of us on Instagram, I'm posting a picture of me and my friend.
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No one person can take credit for the success of a motion picture. It's strictly a team effort. From the time the story is written to the time the final release print comes off the printer, hundreds of people are involved - each one doing a job - each job contributing to the final product.
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When I take a picture I take 10 percent of what I see.
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I can picture certain things in my mind, while writing the script, but then I can also tell that everyone else might be a little confused about what it's supposed to look like at the end of the day. But it all works out. I find a way.
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Every good picture leaves the painter eager to start again, unsatisfied, inspired by the rich mine in which he is working, hoping for more energy, more vitality, more time - condemned to painting for life.
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I sculpted for four or five years. Mostly for my own amusement, I decided to do a picture book, and that was kind of a turning point.
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I must say, I am thrilled with my fan base. For some reason some of them are quite young, so they are quite frightened. I remember when I did 'Click' and I'd see Adam Sandler's fan base. He's the guy that people feel that he's their best friend, so he's walking down the street and people sort of high five him and want to tell him a joke or invite him to come home and have a sandwich with them. Mine are not like that. Mine tend to go: 'Argh,' and look horrified. They shake and take a picture from a really long way away. I do feel I've got quite good, respectful ones though.
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What's sometimes really overwhelming in Sweden is the uniformity. People kind of disappear by all looking the same and wearing the same clothes. There are a lot of great individuals, but it can become a very blank and bleak picture.
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I remember when I was in school, they would ask, 'What are you going to be when you grow up?' and then you'd have to draw a picture of it. I drew a picture of myself as a bride.
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Key Largo... I could have stayed on that picture for the rest of my life. I adored it.
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Usually, a number of events will be going on around me to start me on a book. What I mean is, I will have read a poem or seen a picture that is lingering in my mind.
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I have things that I'm interested in, and I'm not really interested in writing about anything that I'm not interested in. But it's important to me to be able to see it from a different perspective, and add something new to the whole picture.
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I always think, 'What does this picture mean? What's the best place to put my camera? Do I have anything extra in the picture, things in the background that will distract? Am I in the basic position that will give the essential things for this picture but not too much?'
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Noise does not disturb me, as I think that it gives a quaint atmosphere to a picture that fully matches my vision of nature and the wild species I like to photograph.
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But it’s not so hard, learning to picture yourself as part of a great chain. One that began long before you, and will go on long after.
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You see what you understand, You have to be prepared to see the world. The moment of clicking the camera is almost irrelevant. What is really important is what happens before and after you take the picture.
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I could never get a real good clear picture of what I could become.
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I've had enough of breakdowns and diagrams-Judging from picture books, apparently Heaven is a partly cloudy place.
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You know, people come up with formulas who are uncreative. They can't picture something different so they can only go by something that's laid out for them.
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Cartier-Bresson has said that photography seizes a 'decisive moment', that's true except that it shouldn't be taken too narrowly...does my picture of a cobweb in the rain represent a decisive moment? The exposure time was probably three or four minutes. That's a pretty long moment. I would say the decisive moment in that case was the moment in which I saw this thing and decided I wanted to photograph it.
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I have tried to answer the question which sent me to Samoa: Are the disturbances which vex our adolescents due to the nature of adolescence itself or to the civilization? Under different conditions does adolescence present a different picture?
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A small silence came between us, as precise as a picture hanging on the wall.
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Whether it's music, loss of something, loneliness or friendship - if that emotion is heightened in some way and painted to fit in between the covers of 32 pages, that can become a picture book.
