Picture Quotes
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Positive people are able to maintain a broader perspective and see the big picture which helps them identify solutions where as negative people maintain a narrower perspective and tend to focus on problems.
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I can picture certain things in my mind, while writing the script, but then I can also tell that everyone else might be a little confused about what it's supposed to look like at the end of the day. But it all works out. I find a way.
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When I was Elvira, it was probably the phase of my hair getting too high. I thought that if really high hair was good, then really higher hair was even better. So I just started having my hair get higher and higher. In some of the pictures, we had to cut off the picture because it was like Marge Simpson. So that was embarrassing. The wig phase.
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I did a picture called 'Lovely, Still' with Ellen Burstyn, We screened it to the AARP people in Las Vegas, 2000 of them. We got a standing ovation from people who couldn't stand.
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Most practising scientists focus on 'bite-sized' problems that are timely and tractable. The occupational risk is then to lose sight of the big picture.
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It is a good idea to know which publishers publish which stories. For example, there is no sense in sending a picture book text to a publisher who does not publish picture books.
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The model today is that as much as 70 percent of the financing of the picture would come from overseas. Now we're beginning to run out of suckers, because there are not that many people overseas who are willing to put up more than half the money for a movie.
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every word calls up far more of a picture than its actual meaning is supposed to do, and the writer has to deal with all these silent associations as well as with the uttered significance.
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I could never get a real good clear picture of what I could become.
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But you can't show some far off idyllic conception of behavior if you want the kids to come and see the picture. You've got to show what it's really like, and try to reach them on their own grounds.
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The question is, are we happy to suppose that our grandchildren may never be able to see an elephant except in a picture book?
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There is no more merit in being able to attach a correct description to a picture than in being able to find out what is wrong with a stalled motorcar. In each case it is special knowledge.
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When I started making films, all the theaters, the screen would slide open the widest possible point, and that would be widescreen. But now, theaters are geared up for around 16:9, so scope is now 'letterboxed.' In a way, if you want the big picture, you shoot 16:9.
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I didn't picture myself as a movie actress. I began to think about it around college. I remember thinking, 'Well somebody has to be in them,' so maybe I could do that eventually. It's all been a surprise.
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Everybody hates to edit my film. Back in the day, we called it film - now, my digital cards. But I shoot an awful lot of pictures. I don't want to hesitate, because I believe the moment is everything in a picture. So, I take the pictures.
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It is not possible to find a landscape, which if painted precisely as it is, will not make an impressive picture. No one knows, till he has tried, what strange beauty and subtle composition is prepared to his hand by Nature.
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I love writing picture books and story books because of the exciting, visual life that artists and illustrators give to them. And most of all, I love writing novels because of the inner, emotional journeys that they take me on. Hopefully, the reader comes with me!
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My travels have always been of the same kind. No matter where I've gone or why I've gone there it ends up that I never see anything. Becoming a movie star is living on a merry-go-round. When you travel you take the merry-go-round with you. You don't see natives or new scenery. You see chiefly the same press agents, the same sort of interviewers, and the same picture layouts of yourself.
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The scientific perspective of the world, especially the living world, inexorably impresses on us a dynamic picture of the world of entities and structures involved in continuous and incessant change and in process without ceasing.
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Usually, a number of events will be going on around me to start me on a book. What I mean is, I will have read a poem or seen a picture that is lingering in my mind.
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A small silence came between us, as precise as a picture hanging on the wall.
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I liked his ability to deal with a lot of the negativity that surrounded him. Even though he was in a world that he didn't want to be in, he still saw the bigger picture.
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These days, the selfie and its main outlet, Instagram, generally come in for much adult loathing. But consider this: The selfie is a tiny pulse of girl pride—a shout-out to the self. … The selfie suggests something in picture form—I think I look [beautiful] [happy] [funny] [sexy]. Do you?—that a girl could never get away with saying. It puts the gaze of the camera squarely in a girl’s hands, and along with it, the power to influence the photo’s interpretation.
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Even tiny children looking at a picture book are using their imaginations, gleaning clues from the images to understand what is happening, and perhaps using the throwaway details which the illustrator includes to add their own elements to the story.
