Picture Quotes
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My nominee for Best Picture of the year - maybe the best picture ever, because it's essentially made up of and is an ecstatic love letter to all other movies - is Christian Marclay's endlessly enticing must-see masterpiece 'The Clock.'
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I want to make books. I want to take pictures and then write all over the pictures. And then I don't have to say a complete story, because I have the picture, and I have just a word.
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I love the way my weight fluctuates in the newspapers. It was 18 stone and then people look at a bad picture of me and add a few more stone on. I think the highest was 22 stone.
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Seneca brings vividly before us a picture of the various scholars assembled in a school of the philosophers.
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Thin people release the fork, and they chew the food with the fork on the table. They chew their food slowly. They look around at each other or the wall or a picture. They listen to the music. They sit back and take a breath. They do something other than concentrate on shoving the food into their body.
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We'd rather see a picture that we liked then dump on one we didn't.
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Even in the very beginning when she would bump into George Valentine and people would start taking pictures of her, she never thought, 'I'm with George Valentine. I need to get a picture with him.' She's like 'oh that's funny. Everyone's taking pictures!'
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There are cultures that can only picture their origins and not their ends. Some are obsessed by both. Two other positions are possible: only picturing one's end - our own culture; picturing neither beginning nor end - the coming culture.
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A bird in the open never looks Like its picture in the birdie books - Or if it once did, it has changed its plumage, And plunges you back into ignorant gloomage.
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The creative mind doesn't have to have the whole pattern-it can have just a little piece and be able to envision the whole picture in completion.
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Humor expands our limited picture frame and gets us to see more than just our problem.
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We must picture Hell as a state where everyone is perpetually concerned about his own dignity and advancement, where everyone has a grievance, and where everyone lives the deadly serious passions of envy, self-importance, and resentment.
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And then they sign an affidavit swearing that she's not in a vegetative stage. I'll tell you. That's a doctor you really want; they can look at a picture and make a diagnosis.
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The best picture is around the corner. Like prosperity.
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With so much sky and so much river, you couldn't help seeing the big picture. It was what you already knew, but crowding into the subway or rushing to a movie, you only saw it for a second, and close up. Now I took a good long look. I'd always heard you couldn't see stars in Manhattan because of all the lights. But here they all were. Here was my night in shining armor.
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Painting for me is like a fabric, all of a piece and uniform, with one set of threads as the representational, esthetic element, and the cross-threads as the technical, architectural, or abstract element. These threads are interdependent and complementary, and if one set is lacking the fabric does not exist. A picture with no representational purpose is to my mind always an incomplete technical exercise, for the only purpose of any picture is to achieve representation.
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I jump into the process, and the record begins to gel at some point. Then I begin to get a picture of where I'm going. But it's not always something I know on the front-end.
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If they ever do, they've got to take my picture from about 20 years ago when I was kind of thin. I don't want a fat statue out there.
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Life's the longest picture you're ever gonna take.
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In traditional Asian arts, the word and the picture always sit next to each other. I have an aunt, a Chinese brush painter, who told me that when you do a Chinese brush painting, you have to pair the image up with some poetry.
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She was staring at a picture of me and Sam when we were seven. No front teeth. We were standing in the front yard. It was summer and the leaves of her mulberry tree were behind us. The caption read: She was always my sister.
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If you cast the picture correctly, you have a whole lot of leeway. You can make mistakes in other aspects but pull it off with the right actors.
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All four Gospels agree in giving us a picture of a very definite personality. One is obliged to say, "Here was a man. This could not have been invented.
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I like to think of myself as the Chris Benoit of the movie industry, capable of taking any picture and carrying it to box-office success. Take Garden State, without me that would have just been two hours of Portman doging.
