Picture Quotes
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I thought that it would be easier to learn that if I worked in motion pictures. So I went to work with one motion picture producer who was developing a color system. This didn't do to me much good. All I did was pick filters for the camera.
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But the moment you use an ordinary camera, you are not seeing the picture, remember, meaning, you had to remember what you've taken. Now you could see it of course, with a digital thing, but remember in 1982 you couldn't.
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A bird in the open never looks Like its picture in the birdie books - Or if it once did, it has changed its plumage, And plunges you back into ignorant gloomage.
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I always want to read the script and know everything and at least understand the context of the world that you're in and why you're there and all that stuff. It's good to know something. I like to know, but I've never been one of these, 'Just show me my stuff,' no, I like to know what the whole picture is so I can understand how I fit into it.
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So the city [Pittsburgh] was faced with that question of "What to do now?" because it can't turn back the clock and be what it once was. So thematically, it seemed like the perfect location for the movie. And then, it's a matter of how we get that feeling into the picture and make it a part of [Michael] Chabon's story.
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I am not a picture guy. I like to live in the present and keep the image of the past vivid in my mind. I don't need the precision of the picture.
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I want to give a picture of Dublin so complete that if the city suddenly disappeared from the earth it could be reconstructed out of my book.
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The work that needs to be done now is to diversify the picture of LGBTQ people so that people can see that we come from all races, different genders; we have trans people.
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My daughter has seen the transition from struggling screenwriter to successful picture book author, and she's enjoyed it very much because she's a wonderful little kid. And she's always believed in her daddy.
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There is no more reason why the features belonging to a picture should be distorted for the purpose of such imaginative suggestion than that the poet's metaphors should spoil his words for the ordinary uses of man.
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In every picture there should be shade as well as light.
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There are cultures that can only picture their origins and not their ends. Some are obsessed by both. Two other positions are possible: only picturing one's end - our own culture; picturing neither beginning nor end - the coming culture.
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I prefer radio to TV because the pictures are better.
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When I'm online and I see a picture I want to draw of anybody or anything, a unique angle of them or just something that looks very drawable, I slide it to my desktop and put it in a folder. It just seems like every picture of Trump is a revelation. Any angle. I didn't know a person could look like that. His facial expressions - he really is a cartoon. He's like an instruction manual of how to caricature someone.
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Maybe to feel like an Afghan I needed to be born and raised in the States, and maybe I needed to live in Afghanistan for nearly a decade to feel like an American. Both worlds shaped me, but neither one of them completely correspond to the picture I have of myself.
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It's harder to get your second picture than it is to get your first one.
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The picture has made its million back in four months; I have been overwhelmed by letters, hundreds of them, literally, begging me in my next production not to swing over the shallow trash of mother love, father love, sister love, brother love.
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My fiancee's the one that's picture worthy.
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I think the picture in Jet magazine showing Emmett Till's mutilation was probably the greatest media product in the last forty or fifty years because that picture stimulated a lot of interest and anger on the part of blacks all over the country.
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I think when you work on fossils, and you realize that a species is there, and it's abundant for quite a long period of time, and then at some point it's no longer there - and so, when you look at that bigger picture, yes, you realize that either you change and adapt, or, as a species, you go extinct.
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In the South or in the mine country, wherever you point the camera there is a picture.
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If you cast the picture correctly, you have a whole lot of leeway. You can make mistakes in other aspects but pull it off with the right actors.
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The creative mind doesn't have to have the whole pattern-it can have just a little piece and be able to envision the whole picture in completion.
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With so much sky and so much river, you couldn't help seeing the big picture. It was what you already knew, but crowding into the subway or rushing to a movie, you only saw it for a second, and close up. Now I took a good long look. I'd always heard you couldn't see stars in Manhattan because of all the lights. But here they all were. Here was my night in shining armor.
