Performances Quotes
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I am thrilled yet overwhelmed. There are so many great women athletes, some incredible performances.
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I would love to get great performances from actors as a director, because that's what I'm always looking for, a director that's going to help me go places I've never been before.
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Often when I feel I am reaching a saturation point in my performances, I think of coming back to NSD and attending workshops.
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I was with the Jessie Bonstelle Stock Company in Detroit and Buffalo for three seasons - 10 performances and a new play every week. She was an amazing woman who did a great deal for me.
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I tend not to have any references to anything. I just jump into the script in front of me. If you reference too much, you have no idea if the performances are right.
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All performances are different. I don't think it's necessary to compare one with another. I am just me playing the role of Lear. You're bound to get a Holm approach to it, whatever that may be. I just got out there and did it. I'm very much a doer in my acting.
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It [live performance] is just very difficult. Doing an hour, hour and a half of live standup is an endurance test. You almost have to do it every day to stay up on it.
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On the men's side we are short in some areas, so we hope to see strong performances out of the areas in which we have strong athletes. We look to continue developing in our throwing events, while also getting our distance runners going.
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Respect is the key determinant of high performance leadership. How much people respect you determines how well they perform.
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We don't have performances as big as 'Lemonade Mouth' on 'Zeke and Luther,' but they're both amazing experiences; just, 'Lemonade Mouth' was a bit bigger. It was different for me.
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I don't know why people are so surprised by my live performances. My approach is so simple; every song I sing, every story I tell, every move I make, must move the audience to laughter, tears or inspiration. Otherwise, why should I do it?
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We had some great individual performances but one of the things we learnt from the English is how to put a game together. They played as a team for the whole five days all series...
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I just think if you play it, it seeps in, it seeps into the performances, it seeps into the atmosphere of the movie. And a lot of times I used the music ... while they were doing the scene.
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People's judgments of their capabilities to organize and execute courses of action required to attain designated types of performances.
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The presence of many interacting influences, including the attainments of others, create further leeway in how one's performances and outcomes are cognitively appraised.
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So the real drama for me is balancing live performances and writing, and one of the ways I balance it is I write in hotel rooms. That's not exactly balancing. Actually, writing in hotel rooms means that I'm refusing to deal with the problem.
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I think my least favourite thing to listen to is perfect songs, perfect performances. They don't feel human to me, and in that respect, they lose any kind of sincerity. I don't know why. It's just my ears.
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I don't enjoy public performances and being up on a stage. I don't enjoy the glamour. Like tonight, I am up on stage and my feet hurt.
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When you make a bad pitch and the hitter puts it out of the park and you cost your team the game, it's a real test of your maturity to be able to stand in front of your locker fifteen minutes later and admit it to the world. How many people in other professions would be willing to have their job performances evaluated that way, in front of millions, every afternoon at five o'clock.
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Giving a good performance, giving it all is what it's all about. I love to perform.
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Just as music comes alive in the performance of it, the same is true of mathematics. The symbols on the page have no more to do with mathematics than the notes on a page of music. They simply represent the experience.
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Comparative appraisals of efficacy require not only evaluation of one;s own performances but also knowledge of how others do, cognizance of nonability determinants of their performances, and some understanding that it is others, like oneself, who provide the most informative social criterion for comparison.
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I'm extremely critical. I don't consider myself a performance artist. I balk at the term performance art.
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The performances of others are often selected as standards for self-improvement of abilities.
