Films Quotes
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Well, there's a great Marlon Brando quote that to do something well you have to spiritually marry your director. You have to be making the same movie they are in that you have to try to help their imagination be better, and more full, and more fully realized, but you can't have a different imagination because then you end up - and you see this a lot in movies - where it feels like they were making five different films.
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To answer the question, though: I didn't always want to direct. I just liked the idea of it. If a friend was making a short and needed someone who knew screen direction, I would jump in. It would be horrible, but it led to a short, then another, and another. It was like student films.
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I think, as most people are, I'm fascinated with love, relationships, and my daily life so I'm very inclined to make films about those things.
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Not all films are going to go down in history.
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I'd like to be part of out-of-the-box films like 'Shahid.' I see myself being part of realistic cinema.
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I admit that I've been beaten up so many times in films, but we do not fake it - we actually have to fight when we shoot to make it real and to save film and time. Even the props that are not real, like the bats are plastic, but they're still very hard, so it still hurts.
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Britain is producing some of the worst films in the world. Our film industry is desperate to be part of America, and we just churn out flaccid imitations of bad films over there.
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I will continue to practice a martial arts form along with the mental and spiritual aspect that come with building a balanced life, and I will continue to incorporate it into whatever films I can.
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For me, my films have already aged. When they're finished, I don't want to watch them. Of course, I feel protective, but I try not to attach myself to these stories.
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British talent is involved in the other films like the Constant Gardner and I'd argue we are presenting the best of new British film-making talent in our New British Films strand.
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At first I was not sure if I liked films. The sequences are so disconnected and mechanical I thought I should have difficulty "getting into the skin" of the characters. But I soon found that the care, precision and concentrated energy that attends the photographing of each scene conspires to pitch one into the right frame of mind.
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Before Internet existed, films were my source of real information from the world.
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I love the grandiosity, how sweepingly entertaining films can be. And I think there's a place for films that pry more into the human condition.
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I think it's so hypocritical to be so anti-nudity in films, and be so pro-violence. I'd rather see two people making love, than somebody being done in. Or being shot and getting their head blown off.
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Music, as many people have said, is the universal language. Of course points are made which make you think about things, but ultimately it makes you feel. And that's why people remember more songs that have meant something during their life than films. They start to define periods in your life, and that's kind of the beauty of it.
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I began my life as a character in my father's films.
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I lived within walking distance of Harvard Square, and that's where I discovered my love of cinema. I saw a lot of foreign and independent films there.
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I had two good films: 'ABCD2' and 'Bajirao Mastani.'
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I've made films that I've given all I had to, that no one has seen. The bottom line is I want to work and I want someone to enjoy it.
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My filmmaking style of remixing came out of necessity. When I was a film theory student at UC Berkeley in the early 1990s, there were no film production facilities. The only way I learned to tell stories on film was by re-cutting and splicing together celluloid of old movies, early animated films, home films, sound slug - anything I could get my hands on.
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Western civilization shapes the content of my films, provides me with subjects that haven't been used before.
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Alejandro González went from Birdman to this - these are incredible ledges that he's stepping out on in making these films The Revenant. I think his only threat for best director is Room, to be honest.
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It wasn't my childhood fantasy to work with Truffaut or be in obscure films. I like Midnight Run better than I like The Bicycle Thief. It was films like Die Hard and Bladerunner that made me want to be an actor.
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I have always made films simultaneously, so they go hand in hand. I think that my books are like films.
