Films Quotes
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Music, as many people have said, is the universal language. Of course points are made which make you think about things, but ultimately it makes you feel. And that's why people remember more songs that have meant something during their life than films. They start to define periods in your life, and that's kind of the beauty of it.
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I never think there's any competition between films. I root for everybody's films. I especially have a fond place in my heart for graphic novels and comics.
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I don't even know why, but my entire career is contemporary films. Entire career! There's no period movies - there's one - but there's no period movies, no special effects movies. I just do character studies and so, some of them are gonna bump into each other, but I love the challenge, with a good script. I love the challenge of playing not a very pleasant or attractive character that seduces an audience or wins an audience over by the end.
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As you build your career, you know where you want to go. I'm definitely moving towards films. That's definitely a goal. I'm definitely going to put it out there.
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Western civilization shapes the content of my films, provides me with subjects that haven't been used before.
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I think it's so hypocritical to be so anti-nudity in films, and be so pro-violence. I'd rather see two people making love, than somebody being done in. Or being shot and getting their head blown off.
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On the 'X-Men' films, people are always throwing out ideas and trying to get the shot to look the best and make the most sense, and to get it done efficiently. Everybody collaborates and everybody is very open to new ideas.
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I can't help seeing 'Waste Land' as the third in a triptych with my earlier films 'Devil's Playground' and 'Blindsight,' and not least in the awe and gratitude I feel for the group of people who were courageous enough to share their stories with us - and to live lives so rich in inspiration for us all.
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I have always made films simultaneously, so they go hand in hand. I think that my books are like films.
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I've made films that I've given all I had to, that no one has seen. The bottom line is I want to work and I want someone to enjoy it.
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I do not teach history in my films. I don't have a linear point of view or argument. What I do in my films is to live the human experience; human, whether in Nazareth or anywhere else in the world.
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I was in awe of Robert Osborne, the man, and his incredible talent. Like everyone else, I loved watching him introduce classic films on TCM. But I was fortunate to also get to know him in real life by spending time with him and being interviewed by him over the years at events around the country.
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I want to do more sci-fi films. I want to play half-alien, half-illegal alien.
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The one worry that I always have with TV is that it's such a long commitment. You sign on to be there for a good amount of time, and then you can't go and do films and things like that.
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There's a different set of writers and a different director for the films, but Marvel has turned it into a pretty spectacular job.
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A lot of the films I've made probably could have worked just as well 50 years ago, and that's just because I have a lot of old-fashion values.
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On student films, everyone is pitching in to do everything, and I never felt like I was a part of a group before I started acting. I always felt like I had friends in this group and I had friends in that group, but I never felt like I had my group.
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I think the reason novels are regarded to have so much more 'information' than films is that they outsource the scenic design and cinematography to the reader... This, for me, is a powerful argument for the value and potency of literature specifically. Movies don't demand as much from the player. Most people know this; at the end of the day you can be too beat to read but not yet too beat to watch television or listen to music.
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I find the most interesting and most daring scripts tend to be for independent films.
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To me, not every black filmmaker who is making black films is trying to make black cinema.
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The problem with working with a record label is they maybe a song I want to make a video for that they will refuse to make a video for because they don't see that song as a single. And I found that very frustrating. I realised what I was doing was making these short films for the blind. They were films and all you had to do was put some headphones on and close your eyes and listen to my voice and you'd be able to visualise the images that I'm putting into your brain. And so I started calling what I was doing 'films for the blind'.
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I think it would be really hypocritical of me to make the films I make, where I delve into people's lives, to say that my life can't be looked at or that I have to be this pristine, isolated figure.
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There was a time in the 1980s when I worked in 22 films a year.
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Films are a very tangible thing. It's making something with your hands. I think all of these guys - Roger and the whole cast of this movie - what they did was they were willing to make mistakes. They were willing to make movies that were really bad. But they learned.
