Emotional Quotes
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If rejection destroys your self-esteem, you're letting others hold you as an emotional hostage.
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I put everything in that last lap, it was very emotional when I crossed the line. It was all I had, I gave it all.
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I've got to be honest and say that, growing up, I wasn't a big sports guy, but I love the camaraderie. I just love people getting together, fighting for a team and getting super-emotional about it.
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Music is emotional, and you may catch a musician in a very unemotional mood or you may not be in the same frame of mind as the musician. So a critic will often say a musician is slipping.
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People in chorus tends to be much more emotional or at least wear their hearts on their sleeve. They are generally the kind to hold hands and cry. It's just a different personality type.
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I'm not the kind of actor that can go completely cold into an emotional scene. I have to transport myself emotionally by whatever means possible, and that basically means you carry the situation with you all week, all episode or all day beforehand.
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I am not an emotional type of guy. But I follow my emotions more than my logic.
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I think - I think I've always been kind of - I used to think of myself as a piece of rubber when I was a kid because I was kind of very shy and very - very emotional about things, but I kind of would bounce back.
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At 6 years old, the ice became a place for me to express myself. Because I was so shy off the ice, it became my safe haven, with music and freedom and self-expression. That was my emotional outlet.
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Human beings are very unbalanced and prone to go off on tangents. In every area of life- with too great emphasis on one thing, leaving out another important thing altogether. None of us will ever be perfectly balanced in our spiritual lives, our intellectual lives, our emotional lives, our family lives, in relationships with other human beings, or in our business lives. BUT WE ARE CHALLENGED TO TRY, WITH THE HELP OF GOD. We are meant to live in the scriptures.
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Of course we all know when music's too much in the head, and we define our greatest players by the way they are able to communicate directly from their emotional selves.
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When I create music, the feeling that you get... I get first. You [the listener] have a delayed experience with the feeling I initially get when I have a creative insight. Not just the voice, but all the creativity - the production, the idea, the concept, the music involved. There is a high. There is an emotional experience that happens when everything comes together... I made music as consistently as I did, especially back in the day, because it made me feel so good... When everything is on, it's a wonderful feeling.
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Moana doesn't have a love interest because this movie is about a journey - a physical one across hundreds and hundreds of miles of ocean, but also an emotional one of Moana finding herself. She doesn't need a man or love interest to find herself.
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Music moves us because it serves as a metaphor for emotional life. It has peaks and valleys of tension and release. It mimics the dynamics of our emotional life.
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Color is a very critical thing. I've found that architects don't like colors. Engineers too. And so somebody has to stand in. Because this is the finish of it. It is the emotional part of a structure.
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I'm definitely very interested in doing female narrators that aren't typically feminine or emotional or soft - especially teenage girls - because I have such a hard time relating to so many of them that I read. They feel psychologically cuter to me than I ever was.
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'The Voice Kids' was a tremendous success in Holland. There was a big emotional reaction from the parents of the children taking part.
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If I don't cry while writing a key emotional scene, my gut feeling is it's failed.
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My algebra was relatively poor. I found it very difficult to use equations that substituted numbers - to which I had a synesthetic and emotional response - for letters, to which I had none. It was because of this that I decided not to continue math at Advanced level, but chose to study history, French and German instead.
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For me, the constitutive element of an affair is the secrecy. It is the secrecy that leads to the lying, to the deception, to the duplicity. It is the structure of an affair - not the sexual or emotional behavior or what people actually are doing.
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I have had manic-depressive illness, also known as bipolar disorder, since I was 18 years old. It is an illness that ensures that those who have it will experience a frightening, chaotic and emotional ride. It is not a gentle or easy disease.
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I guess I worry about weird existential things, like how do we spend our final act. This is a very emotional question. I can't answer it without crying. I think, You're 56 years old, what did you do? You raised two good kids. What am I going to do now that is as meaningful as that? I don't know the answer yet.
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When we approach games, we're always emotional-focused, so if a free-to-play business model works against the emotion, we won't use it. If it actually works well with the emotion, or if we can come up with a new way to do monetization that's different and that's unique for the game, I would go for that.
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Thematically, most of my work deals with transition, our culture's constant acceleration, and emotional connection and disconnection through technology.
