Jojo Moyes Quotes
Quotes to Explore
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It's often discouraging sitting working at home, wondering whether to put the heating on, answering the doorbell to the gas board, feeling it's all utterly pointless.
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I'm the complete opposite of every clean cut, decent-looking guy you could ever think of. Yet, I have the biggest heart in the world.
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When you return to the same area a few times, you get that frequent rapport with the public and the fans of the music along with having a certain warmth when you walk onstage.
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I have big hands. I can't do the touch-screen thing. I'm a button guy. I want to press buttons.
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I'd love to do a movie where I actually get to be kind of quirky and odd and dorky and all that stuff. My parents would like to see some movies where I'm not in peril. They'd appreciate it.
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You can't expect to make no effort. You still have to make the effort and be kind and understanding.
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There's no regrets for me.
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If I can put it together, I've got an opportunity to win.
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Dancing has always been a passion of mine.
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It's not class warfare to suggest that we shouldn't look to seniors and the less fortunate to bear the brunt of deficit reduction. I believe America needs to understand there needs to be a sense of fairness.
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Elegance is not a dispensable luxury but a factor that decides between success and failure.
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There is no peace because the making of peace is at least as costly as the making of war - at least as exigent, at least as disruptive, at least as liable to bring disgrace and prison and death in its wake.
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I need to have something else going on. I'm able to write a lot if I have an episode of 'Friday Night Lights' going on my computer.
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I tell fans who ask me why I'm not doing comedy anymore that I'm a different person. I've grown and I've matured. I've made a transition to where I really want to be.
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What I'm very concerned about is how do we bolster our self-awareness as humans, as biological organisms?
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I don't need fame and I don't need power and I don't need wealth. I'm in need of friends, which I have found in abundance.
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One of the things I had to learn as a writer was to trust the act of writing. To put myself in the position of writing to find out what I was writing. I did that with 'World's Fair,' as with all of them. The inventions of the book come as discoveries.
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I can't wait to meet Jennifer Hudson, Tamyra Gray, George Huff, Ruben Studdard, and I love me some Clay Aiken.
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Any film I do needs to excite me at a script level.
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I don't rehearse with my actors... the first rehearsal is the first time we turn the camera on... Sydney Pollack never rehearsed his actors, and I found out that's allowed... so you film reactions; you don't create them.
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I played Nina in 'The Seagull,' and I remember thinking it's incredible to see all the actresses in the past that've played her. It's quite strengthening. You feel a part of the family of actresses going through and giving something of themselves to the role.
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I was a good student until I turned 15. Then, all of a sudden, it didn't matter to me anymore. Isn't that funny. I don't want to go to college. I always knew that. But it's hard. My friends are going, and I feel a little left behind.
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Nihilism in American comedy came along way before 'The Simpsons.' There was a fairly nihilistic point of view to 'Saturday Night Live,' for instance, back in the beginning, and a lot of really dark comedy had a really anti-sentimental take on life.
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If I don't cry while writing a key emotional scene, my gut feeling is it's failed.
