Kenneth Lonergan Quotes
Actors are very demanding because they have nowhere to hide. If I write a scene, it doesn't turn out very well, I don't ever have to show it to anyone; when you turn the camera on, or when you walk on stage, they have to feel like what's happening is real.
Quotes to Explore
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I worked as a head cook at courthouses and high schools. I left it behind when I started getting into my music real heavy.
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Being listened to and being heard is an experience that doesn't happen terribly often. To listen compassionately or nonjudgmentally to another person - not to get too heavy about it - but I once heard somebody say that was a form of real prayer.
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When we meet real tragedy in life, we can react in two ways - either by losing hope and falling into self-destructive habits, or by using the challenge to find our inner strength. Thanks to the teachings of Buddha, I have been able to take this second way.
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When you're dealing with a new platform, the real trick is just getting the game running.
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People realised this is real pollution; it is not fog. Now everyone has to face the data and come out of their comfort zone.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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If you have real passion for a career in game shows, be willing to serve an apprenticeship; it's the best way to learn.
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Be reactionary. React to what the market wants. And the market wants one-on-one real time engagement. Now that we have the tools to engage, I'm going to continue fighting for the end user.
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I'm loyal. I'm real. I'm not afraid to say what I'm thinking.
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Out of all the clubs who were interested, I got the feeling that, deep down, Chelsea showed that they really wanted me. There were lots of reasons I came to Chelsea. They showed a real desire to get me to come here. I didn't have to think about it too much.
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A failure is not always a mistake, it may simply be the best one can do under the circumstances. The real mistake is to stop trying.
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The real reason we ended up getting into that type of music was our dad worked for an oil company so we spent a year overseas when we were young kids. Because of that, it was all Spanish TV and radio so we ended up having these '50s and '60s tapes, tapes of that music.
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The real being of language is that into which we are taken up when we hear it - what is said.
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I didn't necessarily have a total idea when I was writing the movie of where everything was going. I just wanted to have really realistic dialogue and write like people I knew talked. I tried to keep it very real.
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Neither, I must say with all due respect, is it the power of teachers and students. Basically the true and real power is with working people of all colors, of all beliefs, of all national origins.
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Relationships are hard. If as an actor you marry an engineer or a doctor, it's really hard for them because they don't understand what your life is like. We live two lives. We have a 'reel' life and a real life.
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Real Texans believe in looking out for each other. We believe in honoring our mothers and fathers and keeping our smallest residents - our children - healthy.
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The growth in ethanol and biodiesel is something that I have worked on since I was secretary of agriculture in Kansas. I would like to see a lot more progress, because I think there is a real score to be made on this.
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Akshay Kumar is a senior in the industry, and I consider myself lucky to be working with him. Each film of his opens to a packed house. Today, a film will sell only if you have a story. The audience is smart and won't be taken for a ride. And I'm confident about my movies.
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Chapter Six, The Question of Identity
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It's because I'm a feminist that I can't stand women limiting other women's imaginations. It really makes me angry.
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Take away from the courts, if it could be taken away, the power to issue injunctions in labor disputes, and it would create a privileged class among the laborers and save the lawless among their number from a most needful remedy available to all men for the protection of their business interests against unlawful invasion.... The secondary boycott is an instrument of tyranny, and ought not to be made legitimate.
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Actors are very demanding because they have nowhere to hide. If I write a scene, it doesn't turn out very well, I don't ever have to show it to anyone; when you turn the camera on, or when you walk on stage, they have to feel like what's happening is real.
