Christina Hendricks Quotes
Quotes to Explore
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There is, therefore, no solution possible other than an economy directed by the workers through their organisations of control-through the workers' syndicates.
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I write 'Broad City,' so I connect it to me.
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My last album as J. Tillman, 'Singing Ax,' that was really a premeditated death rattle of the aesthetic precedent I had set. I realized I wasn't creating spontaneously; I was enforcing all these parameters. I was too self-loathing or something, and there was this obvious dissonance between my conversational voice and creative voice.
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I'll watch CNN in the mornings to catch up on what's going on. On the weekends, I get the Sunday edition of 'The New York Times.'
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I was a gymnast when I was little, like 8, 9, 10.
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A serious problem in America is the gap between academe and the mass media, which is our culture. Professors of humanities, with all their leftist fantasies, have little direct knowledge of American life and no impact whatever on public policy.
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I don't care about revenues.
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I don't want to be a director, or to have responsibility for hundreds of people.
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For years, I have repeatedly said that Maryland taxpayers were being overtaxed and overcharged.
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It has been said that there is no fool like an old fool, except a young fool. But the young fool has first to grow up to be an old fool to realize what a damn fool he was when he was a young fool.
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Integrating breakthrough technology into everyday products is always a challenge; at the same time, this is exactly how design makes tech products easily adoptable in life.
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The music field was the first to break down racial barriers, because in order to play together, you have to love the people you are playing with, and if you have any racial inhibitions, you wouldn't be able to do that.
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I was really inspired by these larger-than-life female artists like Lee Bontecou and Eva Hesse and Yvonne Rainier and the incredible Lynda Benglis. There were many women who were really driven and became successful, who were part of essential paradigm shifts, despite the fact that the art world was still dominated by men.
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There seems little reason to prescribe anti-depressant medication to any but the most severely depressed patients.
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I started drama in high school.
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India has large proven reserves of gas that remain unexploited.
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In the old fairy tales, often a 'moral' was tacked on at the end of the story - say, if a book was going to be marketed to young readers. And the morals don't really suit the stories at all, which makes them super weird - part of why I love the tradition so much. I do play with this, though I am more concerned with ethics than morals.
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Taking charge of your own learning is a part of taking charge of your life, which is the sine qua non in becoming an integrated person.
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I feel the horror audience is a great audience, and I would ideally make a movie that would give them as much energy as they're willing to give to the picture.
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This was what you did in the '50s: You get married, get a job, put your husband through graduate school, and have two kids - a girl and a boy.
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Without my husband's costumes I wouldn't have known how to accomplish what I saw in my own mind's eyes for choreography. And then seeing our choreography and knowing the background of it I am sure helped my husband a great deal with what he designed for us.
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We owned what we learned back there; the experience and the growth are grafted into our lives.
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Being a kid, as all kids do, you feel out of place or like kind of a freak. You wake up feeling like your head got put onto someone else's body that day.
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My husband says, 'What Joan walk? You've always walked that way!'
