Christine Taylor Quotes
It's not like I had big dreams to go to California and become an actor. I loved doing my shows at school and community theater, and I probably would have settled in New York because it was closer. I was going to go to NYU.
Quotes to Explore
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I developed a mania for Fitzgerald - by the time I'd graduated from high school I'd read everything he'd written. I started with 'The Great Gatsby' and moved on to 'Tender Is the Night,' which just swept me away. Then I read 'This Side of Paradise,' his novel about Princeton - I literally slept with that book under my pillow for two years.
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Music was a way of rebelling against the whole rah-rah high school thing.
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The backwoodsmen are muttering about making Britain's draconian union laws - already among the toughest in Europe - harsher still. And parts of the media will continue to attack public service pensions, as if school meals staff, refuse collectors and healthcare workers have no right to a decent retirement.
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I played the trumpet for nine years, and then I joined the choir after that, and then I was in musicals in high school.
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I'm a big lipstick girl - I'm old school that way.
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As a boy soprano in the high school choir, I later sang a solo during the carol service at Canterbury Cathedral, but I was too young to secure the Freddy Eynsford-Hill role in our production of 'My Fair Lady' - and far too timid to have thought to audition for it.
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I firmly believe, only because I've been doing this for so long, every show takes three years. 90% of them don't get three years. It just does. It takes a long time to build a community, build a friendship with your characters. It's hard for people to grasp on and make them care about you.
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I was in high school, and when you get to be 14, 15, you start to feel a little more like your own person so that you can assert your adulthood a little bit.
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I would have a workshop attached to every school, and one hour a day given up to the teaching of simple decorative arts. It would be a golden hour to the children.
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When I was a kid, in a very white boarding school in England in the '90s, I had this sort of middle part that kids had - that sort of long, floppy hair. So I was always desperate to have long, floppy hair, and I would try and brush it and spray it, and it would just look like a Brillo pad!
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My childhood was a happy one. I was captain of the school sports team and played cricket after class. I had five younger siblings and a large loving family that lived together. We are still very close.
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The wonderful thing about drama school is that it stretches you in a way the industry doesn't.
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My mum was a nurse, and her passion was geriatric care. I used to love listening to the old people's stories in her nursing home and picturing myself in their place. They'd say, 'I went to school in a horse and cart,' and I'd just think 'Wow!' I'd picture myself in their place - acting was a natural progression.
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When I graduated from Parsons School of Design, the dean at that time said I would never be a designer. Obviously I didn't listen.
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I've always been singing all my life, but I started playing guitar when I was 19, and that was my final year in university, in law school. I think that happened when I started making a lot of friends who were in the independent music scene.
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I wrote all four of my books at Starbucks.
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I thought our community should have a deep dialogue to make black America better. I believe if we make black America better, we make all of America better.
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High School Musical has been a blessing and a gift.
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Being a figure skater myself and knowing what it took for my parents to get up at five in the morning to drive me to the rink before school and then drive me to practice after school - it's a huge commitment for any family.
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Americans are hungry for a discussion on policy solutions to the problems in their communities that work.
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History teaches us that unity is strength, and cautions us to submerge and overcome our differences in the quest for common goals, to strive, with all our combined strength, for the path to true African brotherhood and unity.
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I loved, in 'Starman', the use of anamorphic lenses, the creation of blue light, and Carpenter's use of the widescreen format.
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Nothing is more odious than music without hidden meaning.
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It's not like I had big dreams to go to California and become an actor. I loved doing my shows at school and community theater, and I probably would have settled in New York because it was closer. I was going to go to NYU.
