Christopher Guest Quotes
The truth of it is that people are not going to want to go to improvisational theater if it's not funny. You can succeed in doing all the things you're supposed to do - be truthful to scene - and if it's not funny, I'm telling you that no one's gonna care.
Quotes to Explore
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On stage, I like to dress up a bit. I'm not scared to be like a character up there.
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It is by a wise economy of nature that those who suffer without change, and whom no one can help, become uninteresting. Yet so it may happen that those who need sympathy the most often attract it the least.
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Thousands of years and many civilizations have defined a marriage as the union between one man and one woman. With few exceptions, those civilizations that did not follow that perished.
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When I hear someone, instantaneously, I'm like, 'Who's singing?' You're giving people so much of yourself, and my voice is the most natural, distinctive tool I have. It's up to me to express myself on a wider scale than just writing vocal melodies and lyrics.
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If you date one woman a year, times 10 years, and that's 10 women.
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I look at it this way: the WNBA is 13 years young. I think eventually women will get to that point, maybe in my daughter's generation, where their salaries will be similar to men's. But we're still starting off, like, where the NBA was back in the 1950s.
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For me, if I'm just killing time, I play solitaire. I'm also guilty of playing Snood. I like games where I can shoot balls and match colors.
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What I like about Oxford is how small it is; it's really more of a big town than a city.
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The experience of being on a show that is very much in the center of popular culture is exciting. You really feel like you're reaching people.
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Forget mung beans' reputation as healthy yet bland - used right, they soak up loads of flavour.
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The U.S. should worry about the effects of its polices on the rest of the world. We would like to live in a world where countries take into account the effect of their policies on other countries and do what is right, broadly, rather than what is just right given the circumstances of that country.
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I'm addicted to food, so if you bring the cake and stuff to my house, I might walk by and take a swipe of icing and keep it moving. So what happens is I try to not keep it around.
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I wasn't really excited about doing television, to be quite honest.
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I have the potential to be very strong and powerful, sometimes angry, sometimes passionate. I also can be shy and withhold that because I am afraid. I don't want to freak anybody out with my passion... So I struggle with that all the time.
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Auditions make me nervous; any time I have to perform, I get stage fright.
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I think back to the 1990s, when I joined the Army, and all those peacetime years that we had, thinking, 'Will we ever go into combat?'
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If you live in rock and roll, as I do, you see the reality of sex, of male lust and women being aroused by male lust. It attracts women. It doesn't repel them.
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The capability of negotiating... is something that means you not only have to understand fully what you believe and what your national interests are but in order to be a really good negotiator, you have to try to figure out what the other person on the other side of the table has in mind.
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It's very rare that I put makeup on.
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Actually, the animal pictures came about in a funny way.
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Software touches all of these different things you use, and tech companies are revolutionizing all different areas of the world...from how we shop to how farming works, all these things that aren't technical are being turned upside down by software. So being able to play in that universe really makes a difference.
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American history has always had elements of what we now think of as Trumpism - Joe McCarthy, George Wallace, Father Coughlin. It's not as if these things haven't always existed, and they were powerful. The big difference is Trump is president.
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As I went through 'This Progress,' one of two performance pieces by Tino Sehgal that transform Frank Lloyd Wright's emptied-out spiral into a dreamy Socratic-purgatorial journey, the museum literally fell away. I was suspended in some weird nonspace.
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The truth of it is that people are not going to want to go to improvisational theater if it's not funny. You can succeed in doing all the things you're supposed to do - be truthful to scene - and if it's not funny, I'm telling you that no one's gonna care.
