Gabriel Byrne Quotes
I think that when we look at something that's well acted and a story that's well told, it allows us to be a mirror of who we are as human beings and as a culture, and offers a glimpse of where we're headed.
Quotes to Explore
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I want to continue to be me and share with people.
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I'm working now on a collection of Shakespearean sonnets, about 100 of them, that I may publish if anyone's interested. My take on life is a little different from the bard's.
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For me, one thing I love is having an arc for a character.
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Our life ripples out, and it has influence. That's why it's important that we're at our best and that we're influencing others for the good.
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I resent that there is an image of perfection that is getting thinner and thinner. I've got a lovely husband and children, and I didn't lose weight to find those things.
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The Pistols were like my work of art. They were my canvas.
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Christmas is, of course, the time to be home - in heart as well as body.
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God is like the sun. When the sun shines, it shines for everyone. God is for everyone.
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I was elected on April 13 and sworn in two days later, so I had no orientation. I had to figure things out as I went along.
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I've always been extremely physically active.
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It brings me no joy and not enough comfort to dwell too much on things I've said or written or made or worn in the past.
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When you reach 50, what you care about is being honest, being accurate, and being an example.
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I had one week in the fall of 1996 where I was like, 'I'm America's greatest living teenage poet.'
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I've never had a couch that needed to be cleaned or learned how to couch-clean in general. That feels too grown-up.
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I don't like it when a woman looks like a fashion victim.
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Because I'm in an adult world and I'm really working, my age is just a number. It's not really who I am.
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I'm just the opposite of a lot of photographers who want everything to be really, really sharp. And they're always, you know, stopping it down to F64.
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I don't think the way I portray mother's and son's relationships has anything to do with my age or generation. It has to do with what I lived with my own mother and what it's transformed into and the point of view it has given me on mothers and women. The way I was brought up with women. It's all about personal background.
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I am an independent, educated woman, I make my own money, take care of my mom, and I am single, so I can do whatever I want, taking no one's permission, and that is the best part.
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We think the whole world's going to change, and forget that human beings are still human beings; we have the same five senses, we still interact the same way, we still love and hate the same way, but marketers lose track of that. But then it comes down to earth.
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Well, I was a big fan of the book and therein a huge fan of the girl Precious. And so I felt like I knew this girl. I felt like I'd grown up alongside her. I felt like she was in my family. She was my friend and she was like people I didn't want to be friends with.
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The characters are not allowed to change if you write a sitcom; they're not allowed to learn anything. There's all these sorts of rules, and you go, 'I just want to be able to write one character and then leave that behind.' Also, as a performer, and I may regret saying this, but it would be my own personal hell to be trapped in the sitcom.
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If you don't enjoy getting up and working and finishing your work and sitting down to a meal with family or friends, then the chances are you're not going to be happy. If someone bases his happiness or unhappiness on major events like a great new job, huge amounts of money, a flawlessly happy marriage or a trip to Paris, that person isn't going to be happy much of the time. If, on the other hand, happiness depends on a good breakfast, flowers in the yard, a drink or a nap, then we are more likely to live with quite a bit of happiness.
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I think that when we look at something that's well acted and a story that's well told, it allows us to be a mirror of who we are as human beings and as a culture, and offers a glimpse of where we're headed.
