Katharine Kerr Quotes
Not all series books are sagas. Some are shaped more like beads on a string, separate episodes held together by a set of characters, who may or may not grow and change as the series continues.
Quotes to Explore
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I don't keep people around me that aren't family. You don't get to stay. Unless you're eating at the table with us, you're not part. We eat together, we cry together, we live together, we die together. Everything that we do is for each other, and we care for another.
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The death tax robs parents of the opportunity to pass something along to their children, and it is responsible for destroying a lot of family-owned businesses.
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So long as you create laws that define women as victims, as creatures that demand protection, that need bodyguards, you are going to perpetuate the very worst of our sexist past.
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Time has lost all meaning in that nightmare alley of the Western world known as the American mind.
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It would be spiteful to put a Jellyfish in a trifle.
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When we direct our thoughts properly, we can control our emotions.
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Comedy, we may say, is society protecting itself - with a smile.
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Properties have different characteristics, like companies, and the market throws up more opportunities because it is inefficient.
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Shakespeare's villains are fabulous because none of them know that they are villains. Well, sometimes they do.
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Excellence is not a skill, it's an attitude.
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I don't think that I ever believed that poetry would be a career. I have always thought of poems as something more private than professional... I would never introduce myself as a poet. I will always have some other thing that I am.
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What's great about working on a sitcom is that I spend so much time with people who are in other fields as well, such as writing, directing, and/or camera operating. Being on set is like being on a playground. I go from one thing to the next, and I've learned so much and hope to continue learning.
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You live in a deranged age, more deranged that usual, because in spite of great scientific and technological advances, man has not the faintest idea of who he is or what he is doing.
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I let characters be human and flawed and relatable. When we do things that aren't that great, we can understand it.
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You can't try to be somebody you're not; that's not style. If someone says, 'Buy this - you'll be stylish,' you won't be stylish because you won't be you. You have to learn who you are first, and that's painful.
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Sometimes I'm more stubborn than I am smart.
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But you have to be creative on how you sell yourself and market yourself.
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I'm an all-or-nothing person.
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My duty is clear and at all costs will be done.
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& if I'm fake I aint notice cause my money aint
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I think, in general, when you're doing comedy, you're having a good time regardless of the comedy table tennis that you're playing. I think you want that, too: you're rooting for two characters to be together, and you should feel that even when they're angry at each other, they're still in synch with each other.
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There are grave misgivings that the discussion on ecology may be designed to distract attention from the problems of war and poverty.
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I'm never interested in the painting being a mirror to culture. I think that's really boring. What I'm interested in is painting as an affective space. The place where the hierarchies of the world can be rearranged within the space of a painting. And they can be articulated in different ways.
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Not all series books are sagas. Some are shaped more like beads on a string, separate episodes held together by a set of characters, who may or may not grow and change as the series continues.
