Nelly (Cornell Iral Haynes Jr.) Quotes
Quotes to Explore
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In my life, I wanted to feel tall. I wanted to be somebody. I wanted to be tall as the Sears Tower. I wanted to be on top of the Sears Tower. I wanted to be as strong as the Sears Tower feels.
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Comparing in the past years, Tamyra Gray and everyone else that didn't win but their careers are doing well.
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The first thing I tried to do in the months after losing my mother was to write a poem. I found myself turning to poetry in the way so many people do - to make sense of losses. And I wrote pretty bad poems about it. But it did feel that the poem was the only place that could hold this grief.
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Since the moment I could hold a pencil, I have spent nearly all day every day writing. And there is not an age group that I have not written for. You can read me from birth 'til death.
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Containment, as everyone will recall, was a rough plan for stopping the Communists any time they crossed a certain line dividing our half of the world from theirs.
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I love being a part of country music. I love going out and... doing things for the first time for country music. I always enjoy that.
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The first decent building I did with my own practice was a chapel in Taiwan.
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What I'm interested in is the fascinating image of young leaders... you know, young people leading in different fields. You see athletes and people in gymnastics, where the requirement is that you are supple and very, very young... 11... and by the time you're 14, you're already over the hill.
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My job isn't to preach to people, it's to entertain them. I like letting the characters speak for themselves.
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I got beat up up in Texas because my bootlaces were the wrong color.
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Sometimes I hope that through osmosis I might get a workout - just by wearing the clothes.
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If you want to put out a million CDs and sell them and get them played on the radio, and even videos, or whatever, if that still exists, that kind of muscle can only come from a label like Columbia.
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It's really not about me. At the end of the day, God willing, I'll have another 40 or 50 years on this planet, and what I'm saying to myself is, 'What do I want to leave here?'
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I really don't know the secret to it, but I'd like to think my desirability is a combination of my personality, my image, and, most importantly, the kind of films I do.
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I am a rereader. Quality is variety if you wait long enough. Barthes, Baudelaire, Benjamin, Celine, Duras, Faulkner, Fitzgerald, Melville: There is so much to revisit. 'Ingrid Caven,' by Jean-Jacques Schuhl, is always in rotation. I used to read 'Morvern Callar,' by Alan Warner, every year - I adored that book.
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One is sometimes meant to reassure the reader that she's qualified to write about a certain topic.
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Animation is tremendously resilient. Animation will recover, as art always recovers. There's always cycles of good art.
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Politics is a people business. I like people.
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I always tell the story of 'Irreplaceable.' I initially wrote 'Irreplaceable' with myself in mind, with plans of it being my record. I love that record; however, what I realised about that record was that though given the circumstances of that situation - men and women are not that different - when you sing about it, it changes things, you know?
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I fully agree with innovation and letting the best product win.
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I have found a much greater appreciation of Buddhism because I couldn't take it for granted here in exile.
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I'm interested in the ways that we're all broken.
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I was raised by my grandparents, who had a little general store. My grandmother, Marion Dunham Bowman, was a graduate of Albany Law School. Although she never did practice law, she kept the house filled with books. It's because of her that I was always reading.
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Off in the coupe, spreadin' the loot with my family and friends, and my closest of kin.
