Cameron Crowe Quotes
It blew my mind, ... There were two girls who acted out the poster of the movie. They had a little red sofa by the side of the road. One was dressed up in a black suit like Orlando with a black wig and an urn. And the other was Kirsten with the champagne glass and her legs crossed; it was so sweet. I was truly in shock.
Quotes to Explore
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I've been really lucky with the people that I've gotten to work with. I learn a lot from them, just by watching them.
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I suppose I often think of my writing as quite impersonal. But it turned out, when my father died, writing was exactly what I wanted to do.
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If I give five flops, I won't get a job. You have to perform at the box office when you are at the top. No one is running a charity here. People are putting huge amounts of money to make movies, and they want the films to be successful. They have invested money in you, so it is your duty to make sure the film does well.
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My attitude to writing is like when you do wallpapering, you remember where all the little bits are that don't meet. And then your friends say: It's terrific!
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In the end, we are all determined by the place and the time in which we were born.
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Today in Ukraine, many people struggle to survive, older ones often see the breakdown of the Soviet system as a loss of stability and security for average people, and therefore a certain hostility to quickly acquired wealth is from their point of view quite understandable at the first look.
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Just try to get the puck and make plays, not so much worry about scoring or getting an assist or points, just try to get it and make plays. That should take care of itself.
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All too often, the pitchmen are selling the notion that if you gain 'control' over your financial destiny - pick your own stocks and execute your own trades - it will be the first step on a short road to riches.
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In writing, as in medicine, there are no short cuts. You need stamina.
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I specifically had my son wear a Browns jersey on the streets of Pittsburgh while we were there.
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Laquan McDonald is a wake-up call to all of us. It's a reminder there's a lot broken.
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I like movies about longing and desperation, and dark and light things, stories about people struggling to raise children, and to have relationships and be intimate with each other.
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I keep pushing buttons and trying to grow as a person and as a filmmaker.
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It's tricky, performing the show live. Because when you're in a big auditorium, in front of 700 people, the natural tendency is to want to talk louder. You want to project.
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I have been connected with the Niels Bohr Institute since the completion of my university studies, first as a research fellow and, from 1956, as a professor of physics at the University of Copenhagen. After the death of my father in 1962, I followed him as director of the Institute until 1970.
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People love gospel music. It's calming. It's soothing. It gets right to the point of whatever you're dealing with.
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Wherever the relevance of speech is at stake, matters become political by definition, for speech is what makes man a political being.
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Establishing an equilibrium between the Islam of truth and Islam as an identity is one of the most difficult tasks of religious intellectuals.
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The only reason to do a 'SpongeBob' on Broadway is if it's gonna bring something new to the brand, something new to 'SpongeBob,' and also something innovative to theater and to Broadway.
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Not everyone can be successful selling fashion at $25,000 for a wedding outfit. Certain designers are able to do that. And there is only a certain amount of consumers who can do that. The real opportunity is in that $25 garment.
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I never want to cannibalize my act, and I'm really excited that I am going to be able to perform new material. I'm not a huge fan of repeating jokes, and I don't really do any of my old material from old stand-up acts.
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When you're not blond and thin, you come up with a personality real quick.
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I learned a lot from Clint [Eastwood], who's an extremely economic director. I learned a lot from Michael Winterbottom, who really gave a lot of trust in the actors and allowed them to live in the space instead of trying to manipulate and make it too set and too staged. Working with [Robert] De Niro taught me a lot of being an actors' director and what that is. I've learned a lot from pretty much everybody. Hopefully I've picked up something from everybody I've worked with.
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It blew my mind, ... There were two girls who acted out the poster of the movie. They had a little red sofa by the side of the road. One was dressed up in a black suit like Orlando with a black wig and an urn. And the other was Kirsten with the champagne glass and her legs crossed; it was so sweet. I was truly in shock.
