Mat Kearney Quotes
I never got too specialized but did like the Southern Gothic writers like William Faulkner and Flannery O'Connor.
Quotes to Explore
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The only thing worse than an active conscience is one that's retroactive.
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I've been too many places. I'm like the bad penny.
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When I was a young person working, everybody was older than me, so I had to kind of keep up. I'd see every movie and listen to everything played, and read all the relevant books. Being an actor, it's kind of your job to know what came before you and how big your feelings are allowed to be.
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If you're looking for immediate rewards, you're only looking for the money.
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The importance of satire is bringing more people to the table. There are a lot of average citizens who aren't interested in politics and would be more interested if it's brought to them in a comedic, funny, satirical way.
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The fold is that place where He keeps His flock shut behind the hurdles of the Ten Commandments. Every now and then, a sheep leaps one of these hurdles or pushes his way between them and runs away into forbidden pastures. Then the Good Shepherd goes after the erring sheep and brings it back.
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I'd rather be just a Korean musician as opposed to, you know, a K-Pop musician.
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I have 10 children. I've got my eighth grandchild in the oven with Kimberly. I have all these wonderful kids.
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Everything in war is very simple. But the simplest thing is difficult.
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Were I called on to define, very briefly, the term Art, I should call it 'the reproduction of what the Senses perceive in Nature through the veil of the soul.' The mere imitation, however accurate, of what is in Nature, entitles no man to the sacred name of 'Artist.'
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I don't think I'm better than everyone else at anything, but I am very quick at organizing a big mass of interview tape into a structure.
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However my parents - both of whom came from impoverished backgrounds and neither of whom had been to college, took the view that my overactive imagination was an amusing quirk that would never pay a mortgage or secure a pension.
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Most of the people at my headline shows are in their 20s, but it varies a ton: like, I've had a six-year-old hug my leg after the show and a 60-year-old shake my hand. It's cool to see people connecting with the music across different generations.
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You need three things to win: discipline, hard work and, before everything maybe, commitment. No one will make it without those three. Sport teaches you that.
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I've been a storyteller all my life. When I was in high school, I used to amuse myself by driving through the woods at night and see how long it would be before I scared the pants off my friends - and if I could do it before I scared myself.
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I have played a boxer, a cowboy, a knight, a prince, an elf and a pirate. I am so glad to have done all of that already.
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Happiness doesn't depend on any external conditions, it is governed by our mental attitude.
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I miss the standard of the New York Philharmonic's playing very much. It has certainly been a high point in my life.
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There isn't another other sex. (p. 254)
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It's a track where everyone can go flat easy. It's a track where equipment sometimes takes over for the driving. But that's for speed. The draft is very important here and we have been learning what it takes, so hopefully we will be able to learn from that and win.
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The dumber the thing is, the more excitement I get from imagining a very complex world of truth around it.
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'The Summer I Turned Pretty' is about how, as a young woman, everyone gets that moment of being in bloom, but nobody really appreciates it.
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I walk without flinching through the burning cathedral of the summer. My bank of wild grass is majestic and full of music. It is a fire that solitude presses against my lips.
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I never got too specialized but did like the Southern Gothic writers like William Faulkner and Flannery O'Connor.
