Franklin D. Roosevelt Quotes
Put two or three men in positions of conflicting authority. This will force them to work at loggerheads, allowing you to be the ultimate arbiter.
Quotes to Explore
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I have an issue with rage. I'm going to work that out, long term.
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Being on TV sucks. It's a lot of work. You memorize scripts and then you show up and they change everything. I'm a control freak. When I'm doing stand-up, I say what I want and then I get instant feedback.
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What can you do if a part of it is uphill? You can't work out another route. You've just got to run the one they give you. But they tell me London is a nice course. Even the cobbles, I hope, are not very much of a problem for me.
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It became clear to me in an instant that living a gay life without publicly acknowledging it is simply not enough to make any significant contribution to the immense work that lies ahead on the road to complete equality.
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The most overrated tool: a pasta maker. Why make it when you can buy it? It's a lot of work!
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I often have said to people that there are really two cities in the country where the outlook is always forward-looking - there is never really a backward-looking tendency. My banking work has taken me out to Palo Alto, what is commonly called Silicon Valley. And you sense out there is always a forward-looking outlook. And New York City.
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Eddie Conway is central to my first memories. My parents used to take me to, when it was open, the Baltimore city penitentiary to see Eddie Conway - I was talking to my dad about this recently - from the time I might have been one or two years old. I mean, literally, my first memories are of black men in jail, specifically of Eddie Conway.
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I saw a '60 Minutes' piece on Google as a place to work. It was such a foreign concept from what I understood as a regular job. There's free food, sleeping pods, Ping-Pong. I'm the kind of guy who likes to get involved in everything - I'd be all over the Ping-Pong.
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Of all the things I've done, the most vital is coordinating those who work with me and aiming their efforts at a certain goal.
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There's not a day that I don't work on vocals, have vocal coaches, go to acting classes, read books.
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The average American worker has fifty interruptions a day, of which seventy percent have nothing to do with work.
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Immigration is a volatile issue, but we're in the middle of it now, and probably the worst thing to do is to not do anything. Everybody recognizes the current system is not working the way we want it to work. It has huge flaws to it; need to do something.
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By preventing pneumonia and other diseases, we are giving men, women and children the chance to live healthy productive lives and participate in the global economy. In doing so, we are not only enhancing their futures - we are enhancing our own.
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When you work on a record for three years, it's a great sense of relief when it is finally out in the world. It just feels good.
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Having your stuff online - some people think of it as gimmicky, but in a way, it's one of the most pure forms of having your work judged.
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The great thing I think when you do independents is that people are really there for the same reason. They're not there because they got a lot of money and they want to just go home and get it over with. They're there because they believe in the script or the director or the cast or whatever it is, and they want to make it work.
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Red carpets and dressing up are a part of work that I enjoy less than some people.
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I believe in the brotherhood of all men, but I don't believe in wasting brotherhood on anyone who doesn't want to practice it with me. Brotherhood is a two-way street.
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It's something I've enjoyed since being a kid, the fantasy of it, the imagining I'm someone other than who I am. I've always felt claustrophobic in one sense of identity. If anything, I've had to work to develop a sense of my own identity. I used to really hate it when people defined me.
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I really like people who have the gift of the gab. I like characters that are very eloquent, articulate and confident in what they're saying. Especially coming off 'Captain America,' who's very internal and intimate, I'd love to play someone who wears their emotions on their sleeves, potentially to a fault.
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'Dune' was like a giant machine, and it was hard to keep track of all the pieces, but 'Blue Velvet' was a very sleek, compact little experience.
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The Irishman sustains himself during brief periods of joy by the knowledge that tragedy is just around the corner.
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Put two or three men in positions of conflicting authority. This will force them to work at loggerheads, allowing you to be the ultimate arbiter.
