Fyodor Dostoevsky Quotes
As for me, this is my story: I worked and was tortured. You know what it means to compose? No, thank God, you do not! I believe you have never written to order, by the yard, and have never experienced that hellish torture.
Quotes to Explore
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We want a story that starts out with an earthquake and works its way up to a climax.
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I believe politicians should always remain realistic.
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What I'm trying to do is to write a story. If you take something from it, that's wonderful; if you don't, that's wonderful as well.
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90%, 100% are going there to hear the singing. The story is another thing. Nobody's interested in the story. Happiness is happiness.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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Honestly, there are so many things about structuring a story for film and telling a story for film that are really different from doing radio.
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I was also the romantic lead in The Boston Strangler - I was the only one that lived to tell the story - so I called myself the romantic lead.
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I believe that Clinton is the most wicked and vile President that this nation has ever had.
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I never want to write a book just to tell a story. There is always something deeper going on.
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I didn't go to church, I didn't go to synagogue; I went to temple, Hindu temple, where I prayed to my Hindu gods - whether or not I believe in it is another story.
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I think I've played a lesbian about five times. The first one was with Helen Baxendale in a drama called 'The Investigator,' about the conditions lesbians had to live under in the army in Britain, which was based on a true story.
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As a writer, I had learned a lot on 'Margin Call' about embracing the weaknesses of a narrative and of a project. A story always has an inherent narrative weakness.
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As far as sustaining our popularity, I believe we can.
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Genes are like the story, and DNA is the language that the story is written in.
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Reading a Lydia Davis story collection is like reaching into what you think is a bag of potato chips and pulling out something else entirely: a gherkin, a pepper corn, a truffle, a piece of beef jerky.
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Kabir Khan is that rare director who manages to merge Bollywood formula with a good story.
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I grew up in a place where everybody was a storyteller, but nobody wrote. It was that kind of Celtic, storytelling tradition: everybody would have a story at the pub or at parties, even at the clubs and raves.
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The story of Americans is the story of arrested metamorphoses. Those who achieve success come to a halt and accept themselves as they are. Those who fail become resigned and accept themselves as they are.
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What makes a story is how well it manages to connect with the reader, the visceral effect it has.
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I cannot tell my story without reaching a long way back.
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What you need will come back to you.
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The business of life is to enjoy oneself; everything else is a mockery.
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I've got to see my movie to see how I'm acting, see what little things I can learn about my craft.
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As for me, this is my story: I worked and was tortured. You know what it means to compose? No, thank God, you do not! I believe you have never written to order, by the yard, and have never experienced that hellish torture.
