Fyodor Dostoevsky Quotes
As for me, this is my story: I worked and was tortured. You know what it means to compose? No, thank God, you do not! I believe you have never written to order, by the yard, and have never experienced that hellish torture.
Quotes to Explore
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We want a story that starts out with an earthquake and works its way up to a climax.
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I believe politicians should always remain realistic.
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What I'm trying to do is to write a story. If you take something from it, that's wonderful; if you don't, that's wonderful as well.
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90%, 100% are going there to hear the singing. The story is another thing. Nobody's interested in the story. Happiness is happiness.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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Honestly, there are so many things about structuring a story for film and telling a story for film that are really different from doing radio.
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I was also the romantic lead in The Boston Strangler - I was the only one that lived to tell the story - so I called myself the romantic lead.
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I believe that Clinton is the most wicked and vile President that this nation has ever had.
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I never want to write a book just to tell a story. There is always something deeper going on.
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I think I've played a lesbian about five times. The first one was with Helen Baxendale in a drama called 'The Investigator,' about the conditions lesbians had to live under in the army in Britain, which was based on a true story.
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As a writer, I had learned a lot on 'Margin Call' about embracing the weaknesses of a narrative and of a project. A story always has an inherent narrative weakness.
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As far as sustaining our popularity, I believe we can.
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Genes are like the story, and DNA is the language that the story is written in.
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Reading a Lydia Davis story collection is like reaching into what you think is a bag of potato chips and pulling out something else entirely: a gherkin, a pepper corn, a truffle, a piece of beef jerky.
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Kabir Khan is that rare director who manages to merge Bollywood formula with a good story.
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I grew up in a place where everybody was a storyteller, but nobody wrote. It was that kind of Celtic, storytelling tradition: everybody would have a story at the pub or at parties, even at the clubs and raves.
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The story of Americans is the story of arrested metamorphoses. Those who achieve success come to a halt and accept themselves as they are. Those who fail become resigned and accept themselves as they are.
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The songs I love to sing are story songs, from Yiddish songs to Tom Waits.
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The ideas always have to be in service of the story. And that's what Scott and the writers did - they weren't trying to beat you over the head with an idea; they had a story they wanted to tell, and they had ideas, so they used the story as a way of fleshing out the ideas. It all depends on where they want to go with it.
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I travel a lot to promote the perfumes and to do the commercials.
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It's double talk and double standards. It's like, be honest, but don't be too honest. Look fresh-faced and young, but don't tell us how you got there. God forbid you have plastic surgery, even though we're telling you, 'Oh, you look old.' Be a career woman, but also, why aren't you having kids? Are you some kind of cold shrew?
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There have been actresses who transitioned and nobody knew. But for me, with everybody knowing my history, it will be harder. I'm sure there are some great scripts calling for an ultra-glamorous woman. And I'm prepared to be ultra-glamorous.
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As for me, this is my story: I worked and was tortured. You know what it means to compose? No, thank God, you do not! I believe you have never written to order, by the yard, and have never experienced that hellish torture.
