Friedrich Nietzsche Quotes
The domestication (the culture) of man does not go deep--where it does go deep it at once becomes degeneration (type: the Christian). The 'savage' (or, in moral terms, the evil man) is a return to nature--and in a certain sense his recovery, his cure from 'culture'.
Quotes to Explore
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If you fall off a horse, you get back up. I am not a quitter.
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Some foreigners with full bellies and nothing better to do engage in finger-pointing at us. First, China does not export revolution; second, it does not export famine and poverty; and third, it does not mess around with you. So what else is there to say?
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Give me chastity and continence, but not yet.
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I feel nowadays a lot of bands can be too overly produced. There's something about the leather pants and bare bodies and Axl Rose running back and forth on a stage and going crazy. I love all that.
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My first job ever was on 'Peak Practice.' I just had to walk up the stairs. They kept the take where I slipped slightly, which was annoying.
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I've always enjoyed making people laugh. But in order for me to be funny, I have to get ticked off about something.
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I had one week in the fall of 1996 where I was like, 'I'm America's greatest living teenage poet.'
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It's more like can I build a group of characters and can I tell some universal truths that feel real and aren't formulaic in the spirit of filmmakers gone by who've told American stories that were personal and universal as well.
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I used to be a professional kiteboarder. People were like, 'Oh, my God, are you scared of sharks? Are you scared of injuries?' You can't be scared. If you're scared, then you can't do it. You can't train to be the best.
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You don't need to wear Spanx if you buy my clothes. The dress, the trousers, the pencil skirt - they should do the work.
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The mud is cold when you're in the north of Scotland!
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When you get successful, you can do pretty much whatever you want.
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In writing lyrics - well, for me, anyway - it's about getting into character, you know? 'Who is writing this?' In the case of the original 'Thick As A Brick,' supposedly a precocious, very young child who's fantasizing about his future and the context of all the confusing elements to which school boys are subjected at that time.
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I like to hike with my dog, Webster. It helps clear my mind.
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I think Hollywood wants to be safe. The things you do first become your calling card, and I think people just sort of go, 'Well, we know he can do that.' They kind of put you in that hole.
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Architecture is unnecessarily difficult. It's very tough.
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The fitness builds the foundation for me as an actor to have clarity. Fitness has always been the base of where I start off as a performer.
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The public saw my father right out of central casting. He looked the part, acted the part... he was the part! The real life Godfather.
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I favor strategies that encourage industry to include some sort of key recovery capability in their systems which would also address user requirements for access.
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'Srimanthudu' was very important for me and my career at that time, so I was tensed. But for 'Brahmotsavam,' honestly speaking, I am more excited because of its content. I have attempted something new, and I am keen to see how the audience receives it.
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I believe in being an innovator.
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People walk differently in high heels. Your body sways to a different kind of tempo.
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History is always changing behind us, and the past changes a little every time we retell it.
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The domestication (the culture) of man does not go deep--where it does go deep it at once becomes degeneration (type: the Christian). The 'savage' (or, in moral terms, the evil man) is a return to nature--and in a certain sense his recovery, his cure from 'culture'.
