Jack Antonoff Quotes
All I have to do to continue to make things work is make great records, and that's more important than having a crazy master plan.
Quotes to Explore
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I like the diversity that my children are exposed to every day.
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I hate it when guys wear really tight t-shirts. It's just so horrible, especially when you can see their bellies.
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I'm optimistic about people and about the planet and about nature. I think it's resilient, like people are.
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As you get older, challenges arise that you aren't prepared for, but what got me through it was music.
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I started writing half a paragraph of a mystery novel, half a paragraph there, and they were terrible.
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In some ways, with the security challenges this country has faced, we have had to put in rules and regulations for business to be able to sustain their growth and create jobs.
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Love is not the dying moan of a distant violin - it's the triumphant twang of a bedspring.
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I know the cadence of the language and the voice of Atlanta because I've lived here for so long.
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To do a really good interview, you have to be truly interested in the person.
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Throughout my life I have always been amazed that people couldn't listen to other people, that they couldn't hear their best intent, that there seemed to be an enormous need to demonize.
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I am a very loyal man and always keep my promises when I commit to something.
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I have a little basement studio set up here at my house, and I do probably 80 percent of the recording here on my own. With multi-tracking technology, I can play various parts on top of one another.
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Love is the flower of life, and blossoms unexpectedly and without law, and must be plucked where it is found, and enjoyed for the brief hour of its duration.
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I knew that I wanted to be an actor; how to go about it was the question. I went to Australia for my studies; from there I told my dad that I also want to do a course in performing arts, but my father refused. So I completed my studies and came back. But I kept poking him, saying that acting is something that I want to do.
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I've always looked at filmmaking as a lifestyle. There is no decision of when you go to work. It's a way of life: you're thinking about scripts; you see things and think, 'That could be interesting'... I don't think about my work as, 'Today I'll work on this, this and that.' It just comes to me.
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Dating is a numbers game. What we try to promise is good first dates. Once that first date happens, it's really up to you.
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I was never a person who dated in high school, because at 17, everything just felt like it had to be so rushed. Relationships just bounced around like crazy in high school! And now, I never want to rush anything. I just want to enjoy all of the steps.
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The magic of landing my first role on Broadway went 'poof' in a matter of a few weeks.
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Obviously, the ultimate dream is to be married for life.
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Our slender life runs rippling by, and glidesInto the silent hollow of the past;What is there that abidesTo make the next age better for the last?
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The first important role was a Broadway lead I did called 'The Royal Hunt Of The Sun' by Peter Shaffer, the guy who did 'Equus' and 'Amadeus.' Many of the important roles that I got later on were because the guy who was going to hire me was in that audience and had his mind blown. I tend to do that. I blow people's minds with my performances.
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The great event of the evening was Jenny Lind's appearance and her complete triumph. She has a most exquisite, powerful and really quite peculiar voice, so round, soft and flexible and her acting is charming and touching and very natural.
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I'm sure mothers are important across every culture, but particularly in Korean society, the role of the mother is of great importance.
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All I have to do to continue to make things work is make great records, and that's more important than having a crazy master plan.
