Charles Rosen Quotes
It is typical of Schumann's musical thinking to construct this complex network of references outside his music-to quote Beethoven, and then to have Beethoven's distant beloved refer to Clara. But this should give a clue to the nature of Schumann's achievement. It is not Schumann's music that, refers to Clara but Beethoven's melody, the 'secret tone.'
Quotes to Explore
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There are so many moments and works that influence us in what we do. Movies, music, TV and, most importantly, the profound everydayness of our lives.
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Man has evolved a mutual relationship with nature on earth, but his power to change its surface has grown so tremendously that this may become a curse instead of a blessing.
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As you begin to realize that every different type of music, everybody's individual music, has its own rhythm, life, language and heritage, you realize how life changes, and you learn how to be more open and adaptive to what is around us.
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I listen to crazy, robust rock music where they sing their faces off, and soul music, which can be similar.
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I know how to fake someone out, if they break into my house, into thinking there are other people there.
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It's not often that the idea of continuing something for a potentially long period of time sounds exciting to me, because I really am a gypsy by nature.
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I think music should be experienced by people all ages.
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You have to fall. You have to understand what that feels like. For what I want in my life, and for where I want to go with this music, you gotta be humiliated, man. You gotta understand what that feels like. It just makes you stronger.
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I've always been singing all my life, but I started playing guitar when I was 19, and that was my final year in university, in law school. I think that happened when I started making a lot of friends who were in the independent music scene.
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I shall proceed from the simple to the complex. But in war more than in any other subject we must begin by looking at the nature of the whole; for here more than elsewhere the part and the whole must always be thought of together.
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I like pop music, and I like really weird, strange stuff. It just didn't feel like there was anyone doing both.
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Music is part of the life of fashion, too.
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Maybe in music you're making an auditory environment and maybe you change your environment around you to suit your own way.
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I think listening to real classic soul material made me learn how to feel music that's sung.
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If you know your characters well enough, you aren't trying to grasp for storylines. You're really thinking about their flaws and their passions and what they're chasing.
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I think The Doors are one of the classic groups, and I think we're all tempted to feel like the time in which we grew up was somehow special, but I really do believe that there were two golden eras in music: The Forties and Fifties of big band, jazz and swing, and the Sixties and Seventies of rock. To me, they're really unparalleled.
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I've always felt music is the only way to give an instantaneous moment the feel of slow motion. To romanticise it and glorify it and give it a soundtrack and a rhythm.
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Act strenuously, would appear to be our faith, and right thinking will take care of itself.
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She [Marilyn Monroe] wasn't the most incredibly beautiful. She's rather ordinary. Cute, but no Rita Hayworth. I think she was ready for the camera, and it was a real destiny for her.
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I've had a hard life, but my hardships are nothing against the hardships that my father went through in order to get me to where I started.
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But every spiteful word she ever wrote him was effortless love clenched in her fists. Her heart screaming for stability in this fiery game of desire.
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I was a world champion on the trampoline at an international level, and gymnastics competitor.
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My favorite thing about working with Lady Gaga is really just the sheer level of creativity she brings to the table. And she's really one of the most intelligent people I've ever known. Her intelligence is equaled by her heart.
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It is typical of Schumann's musical thinking to construct this complex network of references outside his music-to quote Beethoven, and then to have Beethoven's distant beloved refer to Clara. But this should give a clue to the nature of Schumann's achievement. It is not Schumann's music that, refers to Clara but Beethoven's melody, the 'secret tone.'
