Karl Malone Quotes
Quotes to Explore
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I love being the mayor. I want to be the mayor forever.
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I think Indians dress better than anyone, but I don't want to imitate more than a detail or two; I prefer my clothes humdrum and inconspicuous, and a cowboy hat just doesn't work for me.
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There's nothing more interesting than the landscape of the human face.
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Justice is revenge.
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It angers me when sustainability gets used as a buzz word. For 90 percent of the world, sustainability is a matter of survival.
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Anyone who thinks it's smart to cut immigration is sentencing Australia to poverty.
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I had such a normal and amazing childhood. I've been so lucky. My parents are cool and normal. They don't talk about the business, and I still have stuff to do at their house.
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Around 1960, I moved back to Europe, attracted by the newly founded European Organization for Nuclear Research where, for the first time, the idea of a joint European effort in a field of pure science was to be tried in practice.
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I found that the corridors of power in Delhi were littered with lobbies of various kinds.
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Self-doubt kills talent.
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Anyone who's got a guitar, you like to pick it up. I can play a couple of songs, some '50s rock and roll, a bit of Elvis. That's it, really - I'm not a musician, I'm not a singer.
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I wasn't really excited about doing television, to be quite honest.
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I'm not a sun person.
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Death will never be pretty - its sights and smells too close and crude. And it will never come under our control: it gallops where we tiptoe, rips up our routines, burns our very breath with its heat and sting.
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Juilliard definitely emphasizes the theater. They don't train - at all really - for film acting. It's mostly process-oriented, pretty much for the stage.
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I went to high school in New York City. So, I grew up in New Jersey my whole life, and I was watching all the people and all the kids that I met there become so jaded.
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The 21st century - and the atheists - needs the presence of religion, just as religion must deal with the real challenges and the thinkers of the day in order to sharpen the conscience and the intelligence of those who study the timeless sacred texts in a spirit of responding to the questions of their time.
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When I was first exposed to the films of Ingmar Bergman, I found them frank and disturbing portraits of the world we live in, but that was not something that displeased me. They were beautiful. I thought people would respond to my plays the way I responded to Bergman's films.
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I found myself right in the middle of an absolute hotbed of Nazi intrigue. All the Jewish shops had 'Jude' daubed over the windows, and the Jews themselves were attacked.
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I'm made up of immigrant stock. I went to a primary school in London. I grew up eating Spangles, why shouldn't I be as well placed to speak for Londoners as anyone else?
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My husband was very special and very funny and outspoken, and he would have a black and blue every so often because under the table, I'd say, 'Don't say that!'
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The world is full of dumb paperwork.
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In terms of 'Solaris,' I didn't really think about the religious aspect an awful lot. There's one scene at a dinner party, and it's discussed, but it wasn't an overwhelming theme for me.
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Somebody tell the damn players to start playing like old school.
