Charli XCX Quotes
Quotes to Explore
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I'd heard stories about business managers who lost their client's money. My feeling was that if I made any money, I wanted to lose it myself, to be the author of my own demise.
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Touring, and being in a band, it's almost like the other stuff, the other parts of life, get put on hold.
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If I could work with Joan Van Ark every day for the rest of my life I would.
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You know what I like? I like classic stuff. I like 'The Andy Griffith Show' – the variety of characters was so amazing to me.
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Inspire your children. I promise, your kids will think you're cool if you do this. They may not tell you that now, but they'll thank you later in life.
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Spend time reflecting on your emotional and physical existence and how that applies to the voice. You have to apply that wisdom and experience when you sing - it's what comes through.
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I always loved all kinds of music. I would watch musicals a lot as a kid, on TV, watch the Fred Astaire movies. I'd watch 'The Wizard of Oz.' I was a big Jerry Lewis fan, and they'd have these big bands and someone singing - some siren, or some guy singing some gorgeous song. I was always enamored of that style of music.
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I came to London. It had become the center of my world and I had worked hard to come to it. And I was lost.
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There's nothing that's in an actor's control. I've learned at this point you do things and you let them go. There's no way to control the outcome. The only thing I have any sort of reign over is my own experience.
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I have been interested in fashion since I was a kid. Then I lived in London, where it was more about costume and a personal statement of who you are than about fashion.
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I love the ubiquitous idly-dosa combination. In fact, that was my pet name as a kid! In school, I would bug the canteen boys to get me my daily quota of idly!
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I think my father was somewhat disappointed in not having had a son, and in that way I was the nearest thing he had.
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I wish I had read more and majored in literature rather than theatre. I think I would have been a better artist for it. I am trying to play catch-up now.
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You think, 'You hired me because I'm a creative artist with a vision. Don't try and knock it out of me.'
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I have a very rich and wonderful personal life, and at its core are my sons.
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Most interviewers are looking for a headline. They're not skilled. They're looking for shock value.
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I want to be able to do work where I think it's very forward, but I also want it to exist in a big way and have an effect on a lot of people.
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The Russians obtained a number of plants under Lend-Lease, which had been authorized by Washington, that I thought were not justified for their war effort. They wanted them for postwar use.
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For those of us who have been thrown into hell, mysterious melodies and the torturing images of a vanished beauty will always bring us, in the midst of crime and folly, the echo of that harmonious insurrection which bears witness, throughout the centuries, to the greatness of humanity.
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I think there is a danger when it comes to fake news because there is some fake news out there, but there's also a danger when you only hear back to you the beliefs you already have.
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Anything can happen in SF. And the fact that nothing ever does happen in SF is only due to the poverty of our imaginations, we who write it or edit it or read it. But SF can in principle deal with anything.
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I really don't storyboard unless it's an action sequence of some kind, but I plan carefully.
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I might tell a story about somebody else, but I don't sit there and do a story about somebody snitching on me selling coke because people know I didn't sell coke. So I just try to keep it real but still try to do it in a creative way.
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I know how to win people over if things aren't going my way.
