Sabine Baring-Gould Quotes
The fame of Maria Foote's beauty and charm of manner had reached London, and in May 1814, she made her first appearance at Covent Garden Theatre and personated Amanthis in 'The Child of Nature' with such grace and effect that the manager complimented her with an immediate engagement.
Quotes to Explore
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We will always make music, but Die Antwoord is... finite.
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The best thing an actor can be is flexible, because all directors are different and all actors are different.
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There are over a million people running around the United States that were born to parents just on Match.com alone, to say nothing of the other properties we run, so that's a million lives that our company just had a little to do with in bringing their parents together.
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We were descended from royalty.
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I don't know how people recognize me.
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A man's motive in the small actions of daily life, like resting a moment on his pitchfork in the sun and listening intently, may be the most important thing about that man.
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I'm a storyteller. I love to tell stories about brands. I love to tell stories, period. I like painting pictures through the words, and that's what I do.
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I feel very, very, very intent on only releasing things that I believe are fully worthy.
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Even as our economy starts to pick up, and new jobs are created, there is a risk that young people in Britain won't get the chances they deserve because businesses will continue to look elsewhere.
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'Fargo' is one of my favorite movies.
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If I could gain 1,000 pounds and be healthy, I would love to do that.
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Minorities within nation-states frayed by global capitalism are naturally more resentful of hollowed-out but still heavily centralised systems of political and economic domination.
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I'm attempting to put myself in a bottle that will one day wash up on the beach for my children.
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I think we respond well when we do something well.
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My father was a teacher, and there were teachers all around, his friends, they were working for the Government and their behaviour was within strictly limited areas.
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Never trust the artist. Trust the tale. The proper function of the critic is to save the tale from the artist who created it.
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Be these people either Conservatives or Socialists, Yellows or Reds, the most important thing is - and that is the point I want to stress - that all of them are right in the plain and moral sense of the word.
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Somebody can't complain when they enjoy going to work and enjoy the people they work with.
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Actually when I gave out the script, I gave it with a CD of all the music I wanted to put in the movie, and again, we never thought we'd get all that music.
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I have always liked to get my pictures taken, and I like taking care of my looks. But, I am not one to use beauty products and treatments.
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When two kids came along, I couldn't see how I could support them. The way it played out, I was away from the theatre for five years. I was a postie for the first part and then worked as an advertising copywriter, but I somehow found my way back.
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My brother Martin is two years younger than me. There has never been any competition between us - clearly he was the good-looking one; he was also very sporty, and I am not a football player.
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We asked a lot of questions and we watched everyone who was working in the studio. And we had an opportunity to sit in on discussions, aesthetic discussions at the pottery, which took place generally over tea breaks in the morning and afternoon. So we learned a lot just from being around there with Bernard Leach.
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The fame of Maria Foote's beauty and charm of manner had reached London, and in May 1814, she made her first appearance at Covent Garden Theatre and personated Amanthis in 'The Child of Nature' with such grace and effect that the manager complimented her with an immediate engagement.
