Charlotte Bronte Quotes
Quotes to Explore
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San Franciscans know we live in the most beautiful city in the world, a jewel on the edge of the Golden Gate.
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My parents did their best - that earns a lot of forgiveness. But they say children grow up in spite of their parents, and I think I did.
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When people who love the ocean come together, they can achieve extraordinary things.
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The main threat to the future of Europe is not those who want to come here to live but our own political, economic, and intellectual elites bent on transforming Europe against the clear will of the European people.
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I'm a showgirl. After 20 years in show business, I've learned to roll with the punches.
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It's the coolest part about writing music. I don't know how other people work, but so much is derived from some amalgamation of all these different songs that I love. That's why they jump all over the place.
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I was a dancer first, which made me realize how much I loved performing.
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There is but one man to whom I am willing to entrust their future and that man's name is George Bush.
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I think you just have to accept the fact that no one lives forever, and eventually things are going to come to an end, whether it's a TV show or life.
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I changed that system in Florida when I was the Speaker of the House - I was the Minority Leader; I saw for 16 years the way a power system works.
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When I get to work with someone like Prabhu Dheva at the beginning on my career, why would I say no?
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One thing I've done is surround myself with people who are as good as me or better.
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If you see the NBA now, a lot of it is in transition. Most people now try to get an easy shot off in six or eight seconds before the defense gets set.
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Charter opponents often try to delegitimize strong testing results like those in Boston by attributing them to excessive test prep - as New York City Mayor Bill de Blasio did recently.
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There are certain things you don't discuss with Ansel, especially if you don't agree.
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I picked up my college copy of 'The Great Gatsby' in an attempt to recover from the movie and was interested to find out what I'd underlined. The answer was basically: everything.
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At the beginning, I experienced writing as a sort of constraint. Starting so young as a writer is pitiable: it's beyond your powers; you have to lay bare things that are very heavy, and you don't have the means for that.
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My music is based on melody and when I play the piano, it's as if I'm singing with them. When you try to transform that into a vocal, there was very little adjustment.
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I don't want to play sex roles any more. I'm tired of being known as the girl with the shape.
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As a young man, even if I was going to see a play or a film by myself, I didn't feel like I was alone. There was something that was unfolding up there that brought me into it. And I recognised that. For those two hours, it made me feel like I belonged to something really good.
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I was a late bloomer, but I had a career as a contemporary dancer before that, so I had some kind of connection to this world. But I was always a little more in love with the drama of dancing than the aesthetics, so I thought, 'Why don't you give it a chance if you think you can do it a little different?'
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Anything that we can destroy, but are unable to make is, in a sense, sacred, and all our 'explanations' of it do not explain anything.
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A new chapter in a novel is something like a new scene in a play.
