Che Guevara Quotes
What we must create is the man of the twenty-first century, although this is still a subjective and not a realised aspiration. It is precisely this man of the next century who is one of the fundamental objectives of our work...
Quotes to Explore
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Let a hundred flowers bloom.
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I'm optimistic about people and about the planet and about nature. I think it's resilient, like people are.
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I approach these people from a standpoint of love. How were they loved? How do they love? What's going on in their heart? There's that that I think about with every role.
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The mere process of growing old together will make the slightest acquaintance seem a bosom friend.
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Never stand still. Only stand still enough to learn, and once you stop learning in that stance, move off. Always keep yourself engaged, in theater, in whatever job you can get. If you can't get an acting job, then go backstage. Or take tickets. But be around actors because that is where you will primarily learn.
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Usually it is uses of words, not words in themselves, that are properly called vague.
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The artistic part of us all - I think that the easiest way to appreciate this - is through architecture. Architecture is very impressive; the beauty of buildings, temples.
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Comedy, we may say, is society protecting itself - with a smile.
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What sane person could live in this world and not be crazy?
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If you feel bored or uncomfortable as you're writing, ask yourself what's bothering you and write about that. Sometimes your creative energy is like water in a kinked hose, and before thoughts can flow on the topic at hand, you have to straighten the hose by attending to whatever is preoccupying you.
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I let characters be human and flawed and relatable. When we do things that aren't that great, we can understand it.
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I'm moved by people who see the world differently than others. People who see the world with a longing for its poetry often can be broken people.
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Fame and fortune are as hard to find as a lightning strike.
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The one thing I am now sure of is that if there is such a thing as destiny, it is a result of our passion, be that for money, power, or love. Passion, for better or worse.
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I have always been interested in design, but in the beginning I didn't set out to make jewelry specifically.
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The list of problems that we all experience may be endless, but I honestly cannot abide by the rule that, 'He who yells louder is heard.'
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My life has become a reality show. When I am home, people are climbing trees with cameras. I feel that my personal space is being encroached upon. I will try and protect it as much as I can.
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I tried to connect my singing voice to my guitar an' my guitar to my singing voice. Like the two was talking to one another.
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We go along, without a fixed itinerary, yet at the same time with an end (what end?) in mind, and with the aim of reaching the end. A search for the end, a dread of the end: the obverse and the reverse of the same act.
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They believed you can't mix rock, country, and rap, and that crossover is dead. I always knew it would work. And it will always work as long as you're really into it and like what you're doing.
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When I'm working on something, even when I don't know exactly where it's going, I have a sense of what I'd like to make. So maybe doing things right is following that sense even when I stop trusting myself. The rightness is in the process, even if it doesn't match up with my plans.
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I had a harsh lesson in 1996, when I lost four times to Andres Gomez on clay.
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I am a California girl, born and raised, so flip-flops and cutoff shorts are my go-to look. An easy Angeleno uniform, so to speak. But for my role on 'Suits,' I'm dressed in Alexander McQueen, Tom Ford, and Prada almost every day. And therein lies the difference. For work, I wear art; in real life, I wear clothes.
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What we must create is the man of the twenty-first century, although this is still a subjective and not a realised aspiration. It is precisely this man of the next century who is one of the fundamental objectives of our work...
