Kate Crawford Quotes
Books about technology start-ups have a pattern. First, there's the grand vision of the founders, then the heroic journey of producing new worlds from all-night coding and caffeine abuse, and finally, the grand finale: immense wealth and secular sainthood. Let's call it the Jobs Narrative.
Quotes to Explore
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I use SPF every day, then apply foundation, mascara, eyeliner and blusher. I always take my make-up off at night and moisturize.
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You know, if you look all my stuff... If you go back to 'Saturday Night Live,' my stuff always has music, even a bunch of my comedy stuff - like in 'Shrek,' the donkey is always singing. Music is always there.
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Growing up on a farm was the best. I remember loving that expanse of space. The sky at night was so clear, I could see every star.
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Creationists make it sound as though a 'theory' is something you dreamt up after being drunk all night.
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With 'Mask,' 'Smooth Talk' and 'Blue Velvet,' I loved the specific experiences so much. Each one was a specific filmmaker with a specific vision.
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I mean, in 'Big' and 'Pleasantville,' it's a journey that the characters go on where I think they come to kind of meet themselves at the end and who they actually are and give full voice to who they actually are. And that, you know, obviously fascinates me for some reason. Maybe I didn't adequately grow up.
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I like writing about biology, not doing it.
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Writing an essay is like a school assignment: I have my topic, I organize my thoughts, and I write it. I have complete control over what I'm doing. Writing a novel is like setting out on a journey without knowing who or what I'll encounter, how long it's going to take, or where I'm going to end up.
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A writer's job is to give the reader a larger vision of the world.
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The fundamental vision hasn't changed. What does change is how you get there, because there are still problems you have to figure out.
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The best thing about being on the road in general is just playing every single night in front of people that are genuinely fans of your music.
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When the women's movement started in the 1960s, there was a vision of a future where women didn't wear makeup or worry about how their hair looked, and everybody wore sensible, comfortable clothes. It ran into an absolute brick wall.
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I think issues and substance, policy and vision and record should be the meat of politics.
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I don't sleep at night at all. Making movies is a marathon. I'm a good 100-yard-dash guy.
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We had to go all through the night thinking that our baby was dead. When God showed him to us, he wasn't dead, he was sucking his thumb. God had him safe and sound. He is a miracle. He is so healthy, so perfect, and God has really, really blessed us.
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Computing technology started out as number-crunching.
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A storm swept the world in 1968. It started in Vietnam, then blew across Asia, crossing the sea and the mountains to Europe and beyond. A brutal war waged by the U.S. against a poor southeast Asian country was seen every night on television.
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Whipping and abuse are like laudanum: you have to double the dose as the sensibilities decline.
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See what I have to put up with every night?
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The beauty of a main title is that you establish your main theme and maybe a bit of your secondary theme. You plant the seed that you're going to go water later in the score. And so, having that removed just made it so much more difficult.
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Of course a poem is a two-way street. No poem is any good if it doesn't suggest to the reader things from his own mind and recollection that he will read into it, and will add to what the poet has suggested. But I do think poetry readings are very important.
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A lie with a purpose is one of the worst kind, and the most profitable.
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Books about technology start-ups have a pattern. First, there's the grand vision of the founders, then the heroic journey of producing new worlds from all-night coding and caffeine abuse, and finally, the grand finale: immense wealth and secular sainthood. Let's call it the Jobs Narrative.
