Marion Cotillard Quotes
Usually when I work, I'm totally dedicated to the role, and when I leave the set, I bring some of my character home with me, but I can't bring anyone home with me now because my son would freak out.
Quotes to Explore
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There's nothing unnatural in creation.
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I want to see more Asians on TV. I want to see more faces like mine on TV.
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I expect the Republicans will enjoy a large bounce out of their convention. They're here wrapping themselves in the 9/11 flag, which I think is inappropriate in many ways, but it's their choice.
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My dream role is Jack Johnson, the first black heavyweight champion.
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There is always shame in the creation of an object for the public gaze.
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I would like to one day play a man. That is something I do know. I don't know what kind of man. I don't know if that would ever happen or not. It would be the ultimate challenge.
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I was studying political science; I was adamant that I was going to follow in my father's footsteps.
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I don't think we can go back to the old days. But I think that what the government needs to do is it needs to make sure that the pricing is fair, that you don't have monopolies out there, so that people don't have a chance to compete fairly.
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I have the rare privilege of talking to my dad every night at 10 p.m. and hearing about what he did that day.
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Sometimes it's more difficult to achieve a 10% cost reduction than it is to tell people they have to achieve 50%. Small incremental steps block your view of doing something fundamentally different.
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I really want to play a superhero. I want to take the role-model thing up a notch. I've always been a fan of movies and TV, and to be able to play the ultimate TV superhero would be awesome.
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I work all day, do research, sketch my ideas, prepare for performances.
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My brother Martin is two years younger than me. There has never been any competition between us - clearly he was the good-looking one; he was also very sporty, and I am not a football player.
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In order to do a musical now, a style must be developed that works for today's audience.
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You have to find ways to relate to the characters you get to play. Put it in terms and in a context that speaks to you.
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Acting has always existed alongside my normal life. It's been a case of learning on the job. I've worked in so many styles, with so many people, so I've picked bits up from everyone and everything.
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Even if I only had 10 readers, I'd rather do the book for them than for a million readers online.
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I do not have one theme for each season, I just try to make beautiful clothes all year round.
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My dad hates doing PR, so I volunteered to do this for him.
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I get this weird, existential crisis when I'm looking through Instagram - and then I'll realize we work in entertainment. We know all the smoke and mirrors.
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There was a time, in the nineteenth century, for example, when women spoke mostly about the house, children, birth, and so forth, because it was their domain. That's changing a little, now.
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In the beginning, the clients would say, 'This is too much,' but over time, the ones I liked kept working with me. They'd say, 'It's not too much. Coco can still be Coco. She still gives 100 percent when she's on a photo shoot.'
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Usually when I work, I'm totally dedicated to the role, and when I leave the set, I bring some of my character home with me, but I can't bring anyone home with me now because my son would freak out.
