Marjorie Liu Quotes
I don't think of myself as having any freedom when it comes to how 'Monstress' is structured and how the story is going because a comic book has to be even more tightly structured than a novel, because there is no room for mistakes. Once the art is done, the art is done.

Quotes to Explore
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Yes, there is a terrible moral in 'Dorian Gray' - a moral which the prurient will not be able to find in it, but it will be revealed to all whose minds are healthy. Is this an artistic error? I fear it is. It is the only error in the book.
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The miniatures of the Mughal period are really the pinnacle of Indian artistic achievement. And not a single one of those paintings is done by an individual artist.
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Art is always an exaggeration in some sense; in color, in form, even in theme, etc... but it has always been this way. It is the same with the nature of some works by Giotto or Massacio, or the color of life as expressed by Van Gogh.
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Books are my art. The movie is someone else's art. But it's great marketing for books.
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I must be like the princess who felt the pea through seven mattresses; each book is a pea.
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I'd previously done 'Expelled,' and that was more on the comedy side, so I really wanted to challenge myself and see if I could actually do a drama.
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I believe love at first sight is possible. Centuries of literature and art and beauty has been dedicated to that idea, so who am I to argue, even if I've never experienced it?
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I'm all about the drugstore beauty products. They're affordable and get the job done.
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I've done loads of things people have never seen - dramas on BBC4 and plays upstairs at the Royal Court and the Bush - and because I didn't go to drama school, they gave me an education.
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What I'm mainly interested in is not having women characters that have to be perfect, obviously. That's something I feel strongly about and have that in every single thing I've ever done.
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Love isn't an emotion or an instinct - it's an art.
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I'm going to start these art museums that are basically converted homes, and I have one for modern art, and I have one for 19th century European art, and one for French impressionism. I've got Japanese.
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What I look for in any book is an argument, based on evidence, that changes the way I think about something important.
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In life and art, there are distinctions to be made between what an act of cruelty consists of.
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You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.
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My career? I never think of it as a 'career.' Art and music and all those things that I'm creating are just part of me.
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When you run a part of the relay and pass on the baton, there is no sense of unfinished business in your mind. There is just the sense of having done your part to the best of your ability. That is it. The hope is to pass on the baton to somebody who will run faster and run a better marathon.
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My motivation for being a good drummer was born out of fear, which, in a way, seems so antithetical to what art should be.
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I realized that everything I had to do I could not do on my own, and so I was almost obliged to put myself in God's hands, to trust in Jesus who - while I wrote my book on him - I felt bound to by an old and more profound friendship.
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I never jumped into anything, and I never liked being cajoled into anything. I've pretty much always done things because I wanted to do them.
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Anybody can find infinite Mandelbrot figures in his navel.
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Don't be afraid of who sits in the White House. God can triumph over Trump.
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Hard work beats all the tonics and vitamins in the world.
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I don't think of myself as having any freedom when it comes to how 'Monstress' is structured and how the story is going because a comic book has to be even more tightly structured than a novel, because there is no room for mistakes. Once the art is done, the art is done.