Marjorie Liu Quotes
As women, we have to deal with constant threats of violence. And it's in our media and fiction, too. So we internalize it.
Quotes to Explore
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I don't hurt or want for visibility, but people seem to forget pretty easily.
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I think all politicians lie.
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The response of anybody interested in liberty is that we all have a say and the ability to have an argument is exactly what liberty is, even though it may never be resolved. In any authoritarian society the possessor of power dictates, and if you try and step outside he will come after you.
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She knew what all smart women knew: Laughter made you live better and longer.
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When we read fiction, we want to get outside of ourselves and are able to see from a perspective we haven't seen through before. That can be very powerful.
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The Islamist ideology took decades to incubate within our communities, and it will take decades to debunk.
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I've been to parties in L.A. that are mind-blowing. I mean, quite literally mind-blowing. People get cellphones in the party bag, that sort of thing. Fabulous, fabulous parties.
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I've been writing songs since I was at least 20. That's what I wanted to do before I became a model.
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Artists look at the environment, and the best artists correctly diagnose the problem. I'm not saying artists can't be leaders, but that's not the job of art, to lead. Bob Marley, Nina Simone, Harry Belafonte - there are artists all through history who have become leaders, but that was already in them, nothing to do with their art.
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I've always dreamed of having a large family.
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The essence of architecture is form and space, and light is the essential element to the key to architectural design, probably more important than anything. Technology and materials are secondary.
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In the five months I wrote the final draft of 'The Association of Small Bombs,' I never fell out of the book. The world was real to me: plausible and powerful.
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If you learn one thing from having lived through decades of changing views, it is that all predictions are necessarily false.
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Free societies are societies in motion, and with motion comes friction.
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No actor who's any good can say truthfully to themselves, 'Yeah, I'm good; I've got this sorted.'
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The tale of 'Point Break' is about doing what you love and committing to what you love. It's relevant to me as a Venezuelan, to you as an American, to any Chinese person watching the film.
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If you give people nothingness, they can ponder what can be achieved from that nothingness.
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The U.N.'s impartiality allows it to negotiate and operate in some of the toughest places in the world. And time and again, studies have shown that U.N. peacekeeping is far more effective and done with far less money than what any government can do on its own.
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It's not the things we get but the hearts we touch that will determine our success in life.
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Characters - conventional women with minor eccentricities - flourished in our world, as Mrs. Cork had no doubt observed. But she'd failed to notice that the characters were all old, rich and pedigreed. Newcomers, especially those of moderate means, were expected to form an attractive but featureless chorus behind our few madcap divas.
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Like 'Metro' and 'Motor,' 'Troublemaker' is written in first person. The only narration that happens is Barney speaking to the reader/thinking in her head. First person was a big challenge in the graphic novel because we want both men and women of all ages to enjoy 'Troublemaker.'
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Women don't like men who know they're good looking. They'd much prefer a man who doesn't know he's good looking.
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Generally speaking, violence always arises out of impotence. It is the hope of those who have no power.
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As women, we have to deal with constant threats of violence. And it's in our media and fiction, too. So we internalize it.
