Dan Marino Quotes
I throw better than anybody in college and I can throw with anybody in the pros. There, that's what I think.

Quotes to Explore
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Foreign policy should not be justified through making oneself feel good, but through results that have tangible consequences.
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I have a song about being in love. I have a song about being supportive. There's inspiring ones, and there's some that show a little bit more fun and daring. It really is a range of who I am.
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You can have the greatest player in terms of mastering an instrument and you could be yawning your head off when you hear them. So, it's not what you do, but the way you're doing it and in the end that's all that we have.
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I really love nature. I grew up in the country. But one of the things about nature is that it is beautiful but it's also very dangerous.
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The truth is, there's an information blockade in America, and it must be broken. In order to find crucial facts, numbers and outside perspectives, a person must spend an hour searching and cross-searching on the computer.
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Every piece has its own identity which we develop by the rule 'We know no limits.' We follow the inspiration of the moment and don't worry if what we're playing is alternative, progressive or fusion rock.
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Drama school introduced me to a world I had no idea about. I wasn't brought up in a literary household at all.
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I'm 5-feet-9, I have a deep voice, and I have a way with a line. What can I do about it? I can't stay home waiting for something different. I think it's a total waste of energy worrying about typecasting.
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The American people need to tell their member of Congress that we need a strong defense to protect us and to prevent wars. We can't get away with simply leading from behind and gutting our defenses.
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I've always loved writing, and the impulse for me is storytelling. I don't sit down and think: 'What political message can I sell?' I love the creativity of it.
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Economic growth and human development need to go hand in hand. Human values need to be advocated vigorously.
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I'm pretty proud of my film music in general.
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The United States themselves are essentially the greatest poem.
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I always had to genuinely like the actors I worked with and use my enthusiasm and vision to give them confidence to push their creativity and their humor.
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Imagination creates some big monsters.
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Comics have years to explain this stuff, and in a movie, you have to focus on one thing. So it's about kind of streamlining, I think. Some of the most successful origin films actually have a narrower focus.
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Well, I'm a writer by nature, and I got a little bit - a little taste of a daily fast-paced writing job, writing career, and I loved it.
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I only feel sorry for weak people. And mostly what I've come to find is that the weak people are the ones that are the haters.
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Apparently nobody really read it, it was a cheap movie, it fit their schedule in terms of things so fine, let the guy make that high school comedy. I used to work with Mel Brooks so they figured oh it's going to be one of those really silly movies and that's how it got made.
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I have never looked at a child and been so angry that I flipped out.
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Whether you're a high school student, attend traditional college, or take night classes while working full-time, it is imperative that you are given the tools necessary to become competitive in the workforce.
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When the ending finally comes to me, I often have to backtrack and make the beginning point towards that ending. Other times, I know exactly what the ending will be before I begin, like with the story "A Brief Encounter With the Enemy." It was all about the ending - that's what motivated me.
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I think in a play it's wise to just sit back and watch other actors and be able to shape it from the audience.
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I throw better than anybody in college and I can throw with anybody in the pros. There, that's what I think.