Kathryn Erbe Quotes
My heart grows every day through struggling and love of my kids. It helps balance everything else - the work and the world. It helps keep me grounded and in perspective of what is really meaningful to me.
Quotes to Explore
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There's nothing more fun to me than new characters and a new world.
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We lived on isolated farms and ranches, far from anybody, and when I was young I knew very few other kids, so I lived to a great extent in my imagination.
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And it's a question of how far we're willing to go in order to let the ego shine, in order to let that beacon penetrate not only the local scene but the world.
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I've been fortunate to work with partners like Weinstein and John and Art Linson in developing 'Yellowstone' and am grateful that it has found a home in the Paramount Network. The show is both timely and timeless.
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When you start to think about politicians, you've got to realize these are strange creatures. Other than the fact that they can't tell directions, and they have very strange breeding habits, how do you actually work with these things?
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Conrad Ludlow was an extraordinary partner... We just called him the greatest partner because he just knew what a woman's balance was.
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In my theater work, I've had much more three-dimensional, broader-stroke characters.
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A mate of mine told me recently, 'It's the first time I've seen you work, Worthington.' I thought that was quite funny, but he was right.
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Getting married and then having children just centered me and grounded my values. It was like a whole new world. It started happening in New York with a little play called Cruise Control, where I relaxed, and then I kept getting work in Hollywood till this series happened.
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You don't have to aim to be the best of everything, thinking that one day you're going to be the top of the world; I don't think it exists.
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I am not here to beat anyone. I am here to make a name for myself, and I am glad to work with great directors. I don't believe in the term 'next superstar.'
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The state of New Jersey is really two places - terrible cities and wonderful suburbs. I live in the suburbs, the final battleground of the American dream, where people get married and have kids and try to scratch out a happy life for themselves. It's very romantic in that way, but a bit naive. I like to play with that in my work.
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I didn't do the typical things that young kids do.
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Theater will cast in a more open way; Denzel Washington might play Richard III. Television and film don't really cast openly like that. The theater world has always been a leader in diversity.
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Having your stuff online - some people think of it as gimmicky, but in a way, it's one of the most pure forms of having your work judged.
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For 100 m., you have to go out fast but also bring it back, so we've been doing a lot of work on the back-end speed.
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There's nobility in hard work, traditional values.
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If you're graduating from high school, and you come from a lower income family, you're effectively given two options. One is get a four-year college degree; two is work at a low-wage job, potentially for the rest of your life. We've got to do better on that front. We have to provide more options.
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I think the amount of love and trust on Capitol Hill is often in short supply, and having more dogs here would probably make this place work better and maybe in a more bipartisan manner.
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I like many types of music and probably too many to mention here.
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I was kind of a weird kid in high school. I didn't have many friends in my age group because all they wanted to do was fight and have riots.
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They represent tomorrow's cigarette business. . . As this 14-24 age group matures, they will account for a key share of the total cigarette volume -- for at least the next 25 years.
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Even on the most solemn occasions I got away without wearing socks and hid that lack of civilisation in high boots.
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My heart grows every day through struggling and love of my kids. It helps balance everything else - the work and the world. It helps keep me grounded and in perspective of what is really meaningful to me.
