Katrina Kaif Quotes
With every film, we form a small little world for a period of time. Everybody is close, and then one fine day everything is over. That can throw you off. So you have to learn to take things in your stride and not get too emotional about people or situations.
Quotes to Explore
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Hollywood is strange in and of itself. People dress up and pretend to be other people, and you can either make millions of dollars, or no money. It's odd.
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When I'm in my 50s, I kind of think I'll want to be in a garden.
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For me, writing a song, I sit down and the process doesn't really involve me thinking about the demographic of people I'm trying to hit or who I want to be able to relate to the song or what genre of music it falls under.
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What can you say about a society that says that God is dead and Elvis is alive?
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Write something beautiful and honest and that makes you very proud.
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I started riding the whole 'fluffy' train, and it's a cute word and socially a lot more acceptable than someone saying is fat or obese. If you call a girl 'fat,' yo, she'll raise hell, but if you say, 'Aw girl, look at you, you're fluffy,' there's almost a sexy appeal to it.
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I feel like an alien. I feel people don't like me. People behaved strangely after 'Rockstar.'
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My business issues are just that - business - and I deal with them like they are business.
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Thank God I had all these family values or who knows where I'd be now.
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You have to train people how to be business innovators. If you don't train them, the quality of the ideas that you get in an innovation marketplace is not likely to be high.
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Around 2005, the Canadian army tapped me to do a dramatization for a series of foresight workshops they'd done. They had stacks of papers and needed it boiled down to something simple enough for a 4-star general to understand. We decided to do it as a story. That's how I created 'Crisis in Zefra.'
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Dating is kind of hard. Like dinner or something like that. Like a forced awkward situation is very strange. Especially for me, for some reason.
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Alleviation of suffering is my fundamental principle.
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When I was a teen, I thought I would have to choose between my writing or my music or my art, but it turns out it's a difficult juggling game but I can do all of them.
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Time is change; we measure its passing by how much things alter.
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The more you work with anyone, the more comfortable and safe you feel. The more you have an understanding.
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You don't necessarily pick the singles that you want when you're making a record, but for the most part it's the same process. You're the artist - you make the music that you want to make.
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I think I have more patience now than I did in the past.
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There's a finite amount of time on this planet for each of us. Sometimes, the only way we figure out how to deal with that reality - knowing that there will be an end to every story, and you don't know how many chapters are left in your book - is by living in denial.
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I'd like to play with a period piece. Playing a girl next door in 2010 is so different from playing one in 1950, the way you talk, walk, dress, relationships. It's really fun studying all that.
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We must travel in the direction of our fear.
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I think people appreciate honesty.
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With every film, we form a small little world for a period of time. Everybody is close, and then one fine day everything is over. That can throw you off. So you have to learn to take things in your stride and not get too emotional about people or situations.
