Katrina Kaif Quotes
With every film, we form a small little world for a period of time. Everybody is close, and then one fine day everything is over. That can throw you off. So you have to learn to take things in your stride and not get too emotional about people or situations.
Quotes to Explore
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Hollywood is strange in and of itself. People dress up and pretend to be other people, and you can either make millions of dollars, or no money. It's odd.
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When I'm in my 50s, I kind of think I'll want to be in a garden.
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For me, writing a song, I sit down and the process doesn't really involve me thinking about the demographic of people I'm trying to hit or who I want to be able to relate to the song or what genre of music it falls under.
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What can you say about a society that says that God is dead and Elvis is alive?
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Write something beautiful and honest and that makes you very proud.
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I started riding the whole 'fluffy' train, and it's a cute word and socially a lot more acceptable than someone saying is fat or obese. If you call a girl 'fat,' yo, she'll raise hell, but if you say, 'Aw girl, look at you, you're fluffy,' there's almost a sexy appeal to it.
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I feel like an alien. I feel people don't like me. People behaved strangely after 'Rockstar.'
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My business issues are just that - business - and I deal with them like they are business.
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Thank God I had all these family values or who knows where I'd be now.
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You have to train people how to be business innovators. If you don't train them, the quality of the ideas that you get in an innovation marketplace is not likely to be high.
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Around 2005, the Canadian army tapped me to do a dramatization for a series of foresight workshops they'd done. They had stacks of papers and needed it boiled down to something simple enough for a 4-star general to understand. We decided to do it as a story. That's how I created 'Crisis in Zefra.'
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Dating is kind of hard. Like dinner or something like that. Like a forced awkward situation is very strange. Especially for me, for some reason.
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Alleviation of suffering is my fundamental principle.
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When I was a teen, I thought I would have to choose between my writing or my music or my art, but it turns out it's a difficult juggling game but I can do all of them.
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Time is change; we measure its passing by how much things alter.
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The more you work with anyone, the more comfortable and safe you feel. The more you have an understanding.
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You don't necessarily pick the singles that you want when you're making a record, but for the most part it's the same process. You're the artist - you make the music that you want to make.
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I think I have more patience now than I did in the past.
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My parents opened a bank account for me when I was really little, and I think I paid for some of my university education with my savings. I've always been a bit of a saver.
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All literary men are Red Sox fans - to be a Yankee fan in a literate society is to endanger your life.
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I love it. I'd do it again any time, and I'm sure we'll do it for other records. It was awesome. We met cool people and got some really good songs out of it.
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Justin Hayward was a teenager when he was drafted into the Moody Blues in 1966. He brought with him one song he had written for his girlfriend. This was called 'Nights in White Satin,' which subsequently made a fortune for a lot of people.
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When my husband Charles passed away in 2000, I took over as chair of our family's foundation. As I was mourning his loss, I also had to keep the foundation moving forward and to chart a course into what was then a very male-dominated philanthropic world.
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With every film, we form a small little world for a period of time. Everybody is close, and then one fine day everything is over. That can throw you off. So you have to learn to take things in your stride and not get too emotional about people or situations.
