Mark Billingham Quotes
There are a number of writers who believe it is their duty to throw as many curve balls at the reader as possible. To twist and twist again. These are the Chubby Checkers of crime fiction and, while I admire the craft, I think that it can actually work against genuine suspense.
Quotes to Explore
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It's hard to make a good movie in four weeks. It's hard. I've done it, but it's not easy.
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The only thing worse than an active conscience is one that's retroactive.
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I needed to really pursue music and learn what I needed to learn on my own by getting in and doing it, not by reading a book about it.
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When my lady and I sit down and watch TV, I find she gets annoyed at characters because they don't do what she would do in the situation. I'm always like, 'Well, she has to do that because that's what the story is.'
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I am also a drummer of sorts. I've got an electronic set sitting in my bedroom.
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When we read fiction, we want to get outside of ourselves and are able to see from a perspective we haven't seen through before. That can be very powerful.
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My parents were both entrepreneurs.
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At least for me, any time I've been in hotbeds of creativity, I got excited about something that wasn't coming from me.
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There was definitely a time where I did not believe in the Lord. I needed to understand the love of God.
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I'm a reader of Chinese literature, I like their films, but also: I've had great difficulty getting my work published in China; very little of it has been published there. The first two attempts to have all of my work published, for instance, were refused without any reason ever being given.
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Everybody hates you when you're the best, and everybody hates you when you're the worst.
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A fine world in which man reproaches woman with fulfilling his heart's desire!
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I cook everything from Italian to Cajun food. I have now mastered the roux for gumbo. I love cooking.
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It's high time for the art world to admit that the avant-garde is dead. It was killed by my hero, Andy Warhol, who incorporated into his art all the gaudy commercial imagery of capitalism (like Campbell's soup cans) that most artists had stubbornly scorned.
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I have a Bachelor of Arts in English, which means I had a lot of formal training in reading.
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I absolutely have not spoken to Marvel. It doesn't mean that my team hasn't spoken to Marvel.
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The guest to me was always paramount.
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I think it's unfair that people can't give assets to whoever they want. When I die, my assets can go to my wife. And a gay person - you ought to have a system where maybe you can just say, 'You can give your assets to anybody you want.'
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I was brought up in the great tradition of the late nineteenth century: that a writer never complains, never explains and never disdains.
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It's really hard to smile when you play. As a performer, if I ever find myself focusing, it's like, 'Oh no - orchestra face!' It's not attractive at all, so I have to focus on smiling.
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Price doesn't make deals, and salary doesn't control your career.
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The fact of the matter is that whether it's in London or Egypt or Turkey or New York or Washington, we have to pay the price of guarding ourself, which is internal vigilance.
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But if you want to be a songwriter-based musician, whether you play punk or rock or country or jazz, whatever, you have to work on your songwriting and you have to work on being able to play in front of people, I think. That performance is how you create the groundwork for a lasting career.
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There are a number of writers who believe it is their duty to throw as many curve balls at the reader as possible. To twist and twist again. These are the Chubby Checkers of crime fiction and, while I admire the craft, I think that it can actually work against genuine suspense.
