Mark Bradford Quotes
Life, work - it's all very organic and fluid, a laboratory. I always tell people: whatever your thing is, you just have to be in it. Jump in; you'll figure it out.
Quotes to Explore
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It would be the ultimate dream for me to win an Academy Award, be in love and have kids. Then I would say, 'Life is great! I have done everything I wanted.'
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I think there is an enormous sea change happening in the global workforce. It has a lot to do with globalization. I think that people used to have a hope for a career or meaningful employment, and its been reduced to internships, part-time work or just grossly underpaid work.
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Since I was a child, I have had this feeling that the most important work I'd do would be with my family.
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Money isn't the most important thing in life, but it's reasonably close to oxygen on the 'gotta have it' scale.
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We are a nation of immigrants, and if the truth be known, don't we need a whole lot of immigrants to be buying homes and to drive our economy and to take jobs that U.S. citizens don't want?
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I gave up school. I gave up a really, really good job. I gave up a lot of stuff. I cut a lot of people out of my life so I could just focus on my fighting dreams.
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Only people have been through that miserable time will recall the pass from their deep memory.
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I think I would make a good spy. I can sort of be a chameleon. People don't notice me very easily. I never get recognized.
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There is something about my aura or essence, or whatever, that draws the ex-wife characters to me. I don't seek them out, but people tend to think of me for that particular archetype, or whatever you want to call it, and I don't mind it. I think there is a strength to it.
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I don't have a director. The audience directs me.
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I got along with people very well at every job I had, people liked me and I liked them and I loved being on my feet.
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Weight training and working on being explosive helped me gain a few yards of pace. Even when I was small, I was stocky. Even if people pushed me, I managed to stay on my feet.
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Just like all great stories, our fears focus our attention on a question that is as important in life as it is in literature: What will happen next?
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I don't have to prove my life. I just have to live.
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When your life is being threatened there's an instinctive urge to fight. You fight for the time you have, for your relationships.
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Right now I am trying to be in a place of calm, a place where I can chill out and then handle the chaos of life better. You don't just get it overnight; you have to work at it. It's a daily struggle.
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People on both sides of any conflict believe they are right, whether it's on a TV show or in the real world.
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'Fallen Too Far' was my first NYT bestseller. That changed my life.
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As I look back on the last few decades of my life, I am struck by the good fortune that came my way.
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When I started producing, it was George Abbott directing and he would let me do the scenery. He just wanted to know where the doors were - the entrances, the exits; the tables, the props - and then I would hire the designer. I took charge of the visuals - scenery and costumes and so on. And, the shows looked wonderful.
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Short-termism is no longer an option. We have to envisage humanitarian action with a medium- and long-term perspective.
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For all my desire to be interesting, I have to confess that for most things and people I don't give a damn.
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I feel I'd like to share my luck and my life. Being in love is the best thing in the world.
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Life, work - it's all very organic and fluid, a laboratory. I always tell people: whatever your thing is, you just have to be in it. Jump in; you'll figure it out.
