China Mieville Quotes
Well I don't feel sectarian against sparseness, although I sometimes get a little chippy about this. I resent the way that a certain notion of parsimony has become the norm for skilful literary writing.
Quotes to Explore
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I hate to say it but I think it has become very obvious that our system for devising trade agreements, so very important to this country's functioning around the world, has not only broken, but it has broken completely.
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'Yellow Moon' was a poem. My wife at the time, Joel - she's dead now - it was our 25th anniversary. She had the chance to go on a cruise with her sister. And I'm home with the kids and looking up, and I saw the big moon, and I just started writing.
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Writing 'William Shakespeare's Star Wars' was a fun exercise in mixing just the right amount of the Bard with just the right amount of everyone's favorite galaxy far, far away.
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I don't have any office; I can write everywhere. So, I put a piece of paper on the table, and then I travel. Literally, writing for me is like travelling. It's getting out of myself and living another life - maybe a better life.
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It takes me a long time writing books. It takes me about five years to write a book, and when I'm done, the last thing I want to do is to do it again.
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Writing requires the concentration of the writer, demands that nothing else be done except that.
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I like writing about biology, not doing it.
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I love writing songs.
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I like writing flawed women, and being one, it's something I feel I can write with some veracity and authority.
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I always say that I'm an artist who works with pictures and words, so I think that the different aspects of my activity, whether it's writing criticism, or doing visual work that incorporates writing, or teaching, or curating, is all of a single cloth, and I don't make any separation in terms of those practices.
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I actually run a non-profit where one of the main objectives is to branch out and get a new audience for the theater. Just because the writing is so good and nothing is more effective than seeing something live and happening right in front of your face, so I definitely want to continue to pursue that.
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I'm a professional songwriter - personal attitudes have nothing to do with writing a song.
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There's a rule of writing: if everything is funny, nothing is funny; if everything is sad, nothing is sad. You want that contrast.
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I love writing two narratives! I think concurrent storylines are my favorite way to write a book.
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I mean, the wonderful thing about writing a book is that you're getting a finished product at the end of the day. You're communicating directly with the reader.
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I didn't necessarily have a total idea when I was writing the movie of where everything was going. I just wanted to have really realistic dialogue and write like people I knew talked. I tried to keep it very real.
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At least half my writing time is spent researching. So for every hour I'm actually clicking on the keyboard, I'm spending another hour trying to figure out some tiny detail I need answered.
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After all these years of cooking and writing recipes, I am still amazed every time I notice how even the minutest of variation in technique can make a spectacular difference.
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As I grew up, I read and loved many fairy-tale retellings and began to think about writing my own reimagining of 'Rapunzel.'
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I'm really annoyed by the wave of country music that's just a list of stuff. It almost sounds like L.A. people writing country music, because it's just a list of stuff: 'My pickup truck and my cowboy boots and my Levi's jeans and my girlfriend with the short shorts.' It's so boring!
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There's still a strange moment with every book when I move from the position of writer to the position of reader and I suddenly see my words with the eyes of the cold public. It gives me a terrible sense of exposure, as if I'd gotten sunburned.
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I really think that technology has the greatest potential to accelerate happiness of most things in the world. The companies that will ultimately do well are the companies that chase happiness. If you find a way to help people find love, or health or friendship, the dollar will chase that.
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I don't believe environment has the slightest bit to do with anything - I only believe in ancestral influence. It would have made no difference whether I'd been brought up in a reform school, or on the island of Lesbos.
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Well I don't feel sectarian against sparseness, although I sometimes get a little chippy about this. I resent the way that a certain notion of parsimony has become the norm for skilful literary writing.
