Chiwetel Ejiofor Quotes
We always want to live in an environment where there's no artificial block to good work.
Quotes to Explore
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What novels do that biographies don't is get at truths by penetrating the facts, by going deeper to what's underneath fact, through invention.
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Kids are always going to be around people who break world records and that. It's how you deal with that. I never let it get in the way of my race, but I am always more than happy after the race to sign autographs and have photos.
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I always tell my children, 'You have to face your fear. If not, it's like running from a dog that will bite you in the back.'
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The one characteristic of authentic power that most people overlook is humbleness. It is important for many reasons. A humble person walks in a friendly world. He or she sees friends everywhere he or she looks, wherever he or she goes, whomever he or she meets. His or her perception goes beyond the shell of appearance and into essence.
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I am big believer that increase the size of the cake is as at least as important as distribution of the cake. To increase the size of the cake, you need to focus on progress.
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One Direction is the main thing I'm doing and I'm 100 per cent dedicated to the group.
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The society Shakespeare knew was heading for tremendous change, and he seems to have recognized that and written about it in a coded way. I understand those codes, I think.
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He who would not be idle, let him fall in love.
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A man's motive in the small actions of daily life, like resting a moment on his pitchfork in the sun and listening intently, may be the most important thing about that man.
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I feel that the world is increasingly about the bottom line, and not so much about human respect or human dignity. In that regard, people who care about other people will not be in a position to make choices and do things that other people who they're competing against will get to do.
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You don't actually have control of the position people want you to be in. If they say, 'You king of the blacks,' you're king of the blacks - whether you like it or not.
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I think who you are in school really sticks with you.
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It kills me to lose. If I'm a troublemaker, and I don't think that my temper makes me one, then it's because I can't stand losing. That's the way I am about winning, all I ever wanted to do was finish first.
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I don't think paper will go away. I do believe that the value of paper will change, and Xerox is working on changing that value. Consider a color page. Actual life is in color, but you keep reproducing it in black and white. You remove value. It's a bad thing to do.
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Orthodox Christianity, by playing upon the emotions of man, is able to accomplish wonders toward keeping him in order and relieving his mind. It can frighten or cajole him away from evil more effectively than could reason.
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As I watched bookstores close, I began to wonder how that felt for the owners. Owning a bookstore was their dream and now they're struggling and seeing those dreams fall apart.
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'Radioactive' is the fall out of my life's inspirations, a testament to my ability to survive it all and to tell the story.
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Part of what's so tricky in a film that's two hours long is how many themes can you effectively explore.
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Once I'm in a situation where I can not do anything for three years and go off the map, I'll focus more on writing. Right now, I want to just make Flume awesome... and big.
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I'd go on the train to castings, changing from my school uniform on the train. I carried on like that for a few years, getting jobs in bits and pieces.
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I can't imagine that anyone in Hollywood is sitting around trying to decide what actor is good or right or qualified for a role and is being denied a role because of their political views. I don't think that's the way Hollywood works. We're not living in an era of blacklisting.
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I remember one time when all the nuns in my Catholic grade school got around in a semicircle, me and Mom in the middle, and they said, 'Mrs. Farley, the children at school are laughing at Christopher, not with him.' I thought, 'Who cares? As long as they're laughing.'
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There is an important erotic element in A Thousand and One Nights, which is one of the keys to understanding the Orient.
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We always want to live in an environment where there's no artificial block to good work.
