Chris Borland Quotes
During the course of a 16-game season, everybody, in the end, is injured. It's almost as if pieces just get broken off, and you give up pieces or an appendage every year.
Quotes to Explore
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When I wrote 'Fight Song,' I was in a particular low point. I needed to remind myself to not give up, that I still believed in myself and that I still had fight left.
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The second I met Zac, I thought he was a really cool guy. It's hard not to have chemistry with someone who is so attractive.
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River Phoenix and I were friends for nine years, and I watched him grow and mature, and I also saw him struggle. I watched him deal with the whole up and down aspects of Hollywood and saw him bounce back, so when he passed away, it was such an enormous shock.
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After the success of my first album and the success of 'Flow Joe' kind of faded, I was struggling to make some money and make ends meet.
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The coolest part about 'God Made Girls' is you had all these different women writing it, so you had all these different perspectives in this song.
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I hate ugliness. You know I'm allergic to ugliness.
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I almost took a job in Italy. It was really a great opportunity, but they didn't think I had enough international experience.
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I'm not a collector. I toss things out all the time.
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There's monsters in all of us, but there's also vulnerability.
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No offense to music - thank you for Entertainer of the Year and all that stuff. But if you're a father or a mother, there's nothing that beats being a parent, and that's the best time of my life right there.
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I technically have two last names, which is a lot of fun when you're making airline reservations.
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Black women as a group have never been fools. We couldn't afford to be.
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I do tell people when I'm walking down the street that they should really rethink their whole outfit.
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The single most important thing we can do to protect our communities from climate change is to reduce dangerous carbon pollution.
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My choosing Islam was not a political statement; it was a spiritual statement.
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I'm English, and I started off as a songwriter, so I can't really escape that - it's there.
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I originally got into this because of a five-year-old's begrudgery of his teacher. Mrs. Lawlor cast me as a tree, and I was disgusted. I was sure I had more to offer than that. It was like, 'OK, if you want me to be set dressing, fine, I'll take it on the chin but I'll show you - I'm going to be a big actor some day.'
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The most important thing to realise is that everyone is capable of telling a story. It doesn't matter where we were born or how we grew up.
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We try to live by the secret of sevens. A friend, who has been married for over 40 years, told us about this magic. Make and keep a date every seven days, take a night away alone, for yourself, every seven weeks, and schedule an adult-only vacation every seven months.
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What I've discovered and try to integrate into my show is when you're up there, and you are loud and more visible, you're setting a tone for how people can behave and how they can feel comfortable behaving.
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Part of the problem is that many directors treat female characters too often as precious. Or they want to live in a fantasy world where they just do spinning hook kicks and knock out guys who are six foot four, and that doesn't work either.
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As a working mum, it's really hard to find time in the day to just relax and take a break. I am constantly on the go.
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I needed to find my own worth and shake the image after having done 'Showgirls' at age 21.
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During the course of a 16-game season, everybody, in the end, is injured. It's almost as if pieces just get broken off, and you give up pieces or an appendage every year.
