Keith Maitland Quotes
As far as documentaries, 'Man on Wire,' 'Atomic Cafe,' 'Waltz With Bashir,' and 'Thin Blue Line' all offered me different perspectives to consider as we were designing the structure and approach to 'Tower.'

Quotes to Explore
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If it's free, it's advice; if you pay for it, it's counseling; if you can use either one, it's a miracle.
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I was in a military family, so by the time I was 13 I'd lived in six different places.
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To die is different from what any one supposed, and luckier.
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My dream as an actor growing up was always to challenge myself to different genres, different roles, and it's actually rare that an actor's given that opportunity to do that.
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It's very different to have this kid that I'm truly responsible for.
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I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
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Men and women have roles - their roles are different, but their rights are equal.
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'Frozen' definitely isn't about a man, but about the relationship between two sisters. At different times in our lives we find ourselves either more connected to or disconnected from the people in our family, and I think audiences will really be able to relate to that.
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The demand in India is to have a hit, which becomes a promotion for the movie and makes people come to the theater. You have five songs and different promotions based on those. But when I do Western films, the need for originality is greater. Then I become very conscious about the writing.
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I've been in the public eye so long, I can't remember how it was when it was different - from my mid-20s onwards, when my career started to blossom and I became an international, world cups and things.
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Learning another language is not only learning different words for the same things, but learning another way to think about things.
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We are all several different people. There are different aspects of our nature that are competing.
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When you're in a fighter jet and there's a dark layer of clouds with just one blue hole with the sun going through it, you shoot for that hole. You go vertical into the light, and suddenly, instead of gray and dark, it's light and blue. You are totally connected with the elements. You are in another world.
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I prefer to do cable TV because it allows you the time to do other things. I definitely have an eye on doing more work in features and playing different characters, but I am also a big fan of going on vacation and playing golf and going to the beach.
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We are working to understand the tastes of people born in the 1980s and 1990s - it is very different from my generation. We do our own research. Marketing research companies, I think, are relatively academic.
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There have been times I've planted stuff in songs where four years later I'll be singing it from a subconscious, kind of chameleon little lizard mind... and at a certain moment, all of a sudden, I'll hear a line from a different vantage point and it'll change its meaning. It's something I wrote but it changed because I did.
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I have a lot of passion for a lot of different things.
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Le Cirque at first was one of those general French restaurants in town, which were cooking more or less the same food. At Le Cirque, I wanted to do something different while respecting the foundation of the restaurant. I did that through the menu.
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Men and women are most alike at their most mature and soulful levels. Men and women are most different only at their most immature and merely physical levels.
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I cannot grasp the difference between killing people with drones or rifles and knives. The objective in war is to kill the enemy before he kills you. I can't fathom the almost religious zeal with which the use of drones is being opposed.
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I grew up as a fifth-generation Jew in the American South, at the confluence of two great storytelling traditions. After graduating from Yale in the 1980s, I moved to Japan. For young adventure seekers like myself, the white-hot Japanese miracle held a similar appeal as Russia in 1920s or Paris in the 1950s.
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The artist spends the first part of his life with the dead, the second with the living, and the third with himself.
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As far as documentaries, 'Man on Wire,' 'Atomic Cafe,' 'Waltz With Bashir,' and 'Thin Blue Line' all offered me different perspectives to consider as we were designing the structure and approach to 'Tower.'