Feisal Abdul Rauf Quotes
In Malaysia, where Western culture was extremely influential, I'd grown up listening to Elvis and the Beatles and watching American movies. People wanted to be like Americans. In contrast, when I got here, I saw prosperous middle-class American college students wanting to somehow join the Third World.
Quotes to Explore
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I was growing up in the 50's and 60's. Back then they didn't even know what dyslexia was.
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I like talking one-on-one to everyone. I find it really sort of cathartic and interesting to hear people's opinions.
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I've never had to explain 'Prometheus' to people, ever. Most people get it.
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Nothing's better than coming away from a film when people don't even recognize you, because you've undergone a total transformation.
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My autobiography is a digressive illustration and exemplification of what race has meant in the world in the 19th and 20th centuries.
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China has an almost infinite need for energy, and frankly, the world would be better off if much of that need goes in the direction of wind power.
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I never set out to become 'famous.' I mean, when you're 14 you think 'I'm gonna become a writer and people will want my autograph and that'll be cool,' but you grow up and you learn that's just not how the world works. I resigned myself to the fact that I would probably never be published and if I did it probably wouldn't be a big deal.
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Don't ever forget that a small group of thoughtful people can change the world, it's the only thing that ever has.
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So as I was growing up, my father was always in the middle of making a film or preparing a film. It was a full-time, all-consuming type of operation.
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In college, I wanted to be a child psychologist. Acting was just something on the side to make money. And it was fun.
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Life is challenging but I'm always up for a challenge.
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'Black Messiah' is a hell of a name for an album. It can easily be misunderstood. Many will think it's about religion. Some will jump to the conclusion that I'm calling myself a Black Messiah. For me, the title is about all of us. It's about the world. It's about an idea we can all aspire to. We should all aspire to be a Black Messiah.
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Chinatown is tremendously interesting... It's a part of the city that hasn't really been explored in crime literature or in any general literature. It's as though Chinatown didn't exist. People write about New York without mentioning Chinatown at all.
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If you think about work, it's just this endlessly fascinating subject. We spend at least half of our waking hours working. So it becomes this incredible window into a whole variety of things: who we are human beings, how the economy works, how people relate to each other, how stuff is made, how the world spins on its axis.
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The faces of most American women over thirty are relief maps of petulant and bewildered unhappiness.
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Just as theater has to be where people live, actors have to go out in the marketplace - not be cut off by a lens. Either an artist grows or he stagnates.
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I was a screenwriting and studio art major in college, so even though I don't have any training as a floral designer, I have a very particular visual aesthetic.
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Writers are historians, too. It is in literature that the greater truths about a people and their past are found.
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My mom says I either have to go to college or go into the military.
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I wanted to be an actress. In college I was a serious feminist and very political. I was determined to get one thing out of my career and that was respect. I didn't want money. I didn't care about fame.
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I remind audiences that I'm in the fortunate position to make a film about my family.
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With 'Chicago Hope,' I'm seeing if anyone will like me again.
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When you think about where guitar playing is going today...: it's going everywhere at the same time.
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In Malaysia, where Western culture was extremely influential, I'd grown up listening to Elvis and the Beatles and watching American movies. People wanted to be like Americans. In contrast, when I got here, I saw prosperous middle-class American college students wanting to somehow join the Third World.
