Dar Williams Quotes
Quotes to Explore
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Even in the beginning, when we knew there was a legal argument about how much our song sounds like his song, as one songwriter to another, I wasn't sure that Cat Stevens would take that as bad.
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I close my eyes when I sing so I can feel the song better.
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You can't try and make something you think someone else will like. You can only make what you like. How can you make a song that Yo-Landi Visser likes? You don't know me. You'll never understand me.
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As a songwriter I hate this whole, 'If it's a sad song, it has to sound like a sad song thing.' And that goes all the way back to my days with the Format. I'm an insane narcissist, so if I have to get something off my chest, I'll get something off my chest.
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There's something different that happens when you're writing a song for your own record that you know you're going to sing.
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'Make You Miss Me' is an important song to me. Having it go No. 1 as the fifth single off of my first record is the cherry on top of a chapter in my life I'll never forget.
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I'm a professional songwriter - personal attitudes have nothing to do with writing a song.
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I love the script and I just thought it was a great role. Like I say, it's like this - the script is like this sad, funny, desperate love song to the lost American man.
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When I first start writing a song, I usually write the title first, then the song, and I'll sing the song in my head and think of a visual of the song. If I can't think of a visual behind the song, I'll throw the song away.
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Like, when I write a song, the song comes first before production. Everything is written on an acoustic guitar so you can strip away everything from it and have it be equally as entertaining and good without the bells and whistles.
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First of all, I'm Middle Eastern; I'm Iranian, so to be playing a leading role in a big Hollywood movie, I think, is possibly one of the first times.
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I'm a pretty easygoing person, and it bleeds into the music. Even if I'm writing the most personal song, it's not going to come out totally serious; there's always a little tongue in the cheek.
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One of my favorite albums in the world is Bruce Springsteen's 'Nebraska.' Each song has this very distinct character who has something profound to say.
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When I see things that are inspiring, I must write a song about it. Some people make a t-shirt or slap something on a wall with paint, but I must make music and freestyle rap.
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I did a song in eight minutes. I thought everybody could write songs that fast. But working with a lot of them, they don't.
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The first song I learned on the guitar was a Kenny Chesney song called 'What I Need to Do'; it was just an easy song to play... and it was really cool to see that come full-circle a few years later and have him record a song that I was part of.
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What you hear about the band is always going to be more disturbing than any particular song.
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'Can't Get Closer' I originally recorded in about half an hour, just on my bed with a microphone. I actually re-recorded the song with a cleaner vocal take, but I decided to leave the demo version on there, just because I felt that instant where it was created is what captured the most emotion.
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I've got a song on One Direction's album called 'Tell Me A Lie'. It's a really cute song - I love it. I loved that they liked it. They sound really great on it. I already have it - I'm so VIP with my copy on my computer! It does sound really good.
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I went to church as a kid, but it was as much a social thing as anything going to the youth group with the other kids and whatnot. It wasn't until I got out of college that I got on my own religious trip and started finding other things out there as well as philosophies. I've kinda been on my own spiritual path since then.
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I'd rather not pinpoint my mistakes.
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A song versus an album is not like a scene versus a play.
