Kirsten Dunst Quotes
After 'Melancholia' and 'On the Road,' I wanted to do a comedy. And I did so many comedies when I was younger, but if you're not consistently in those movies, people don't always think of you for them.
 
					Quotes to Explore
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	You are rich if and only if money you refuse tastes better than money you accept.   
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	The hand is the cutting edge of the mind.   
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	The director had come to Madrid to court me.   
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	There's such a preoccupation with liquidity and such an unwillingness to invest beyond the horizon of the next quarter and making sure that the CEOs hit their quarterly earnings.   
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	I'm not the type of actor who is trying to do a whole bunch of different stuff, you know what I mean?   
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	The way I perceive an album to sound and the way I put out mixtapes are two different energies. There's a different focus; there's a different sound.   
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	You learn stuff from every character you play about the human condition that can be quite enlightening.   
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	Two truths are all too often overshadowed in today's political discourse: Public service is a most honorable pursuit, and so is bipartisanship.   
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	If God came down here with the box that had the reason for living in it, I'd like to find just 2 words: The Music. That would be neat.   
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	Men go abroad to wonder at the heights of mountains, at the huge waves of the sea, at the long courses of the rivers, at the vast compass of the ocean, at the circular motions of the stars, and they pass by themselves without wondering.   
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	When you forgive somebody, it doesn't necessarily mean you want to invite them to your table.   
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	One knows less about one's own destiny than about anything else on earth.   
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	I joke that we're not dissimilar to a rock band in the '70s.   
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	Happiness is having a scratch for every itch.   
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	I love to get a massage but I'm quite a baby with it. I don't like them too hard or anyone walking on me or anything. When it's good, it's the best thing ever. When it's bad, it's an hour of absolute agony.   
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	Everybody that's trying to get anything progressive done in this country knows that the biggest barrier is getting money out of politics.   
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	When you are already in Detroit, you don't have to take a bus to get there.   
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	Many of the problems of poverty and need are really problems of physical infrastructure: not enough hospitals, too few schools, insufficient roads, bridges, and a lack of tools. This is what makes traditional philanthropy so daunting. You could build a thousand new hospitals in some parts of the world and barely make a difference.   
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	That's the miracle of fiction. I use it to spray on certain moments or places from my youth.   
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	When I work on stories, I tend to be pretty obsessive.   
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	This-all this-was in the oldenTime long ago.   
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	Many people crave security and stability rather than risk-taking, and that doesn't make them any less American. They are the workers rather than the job creators, and all societies need both.   
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	When I worked in the White House in the 1970s and '80s, I was often stopped within the White House by agents checking my credentials. They were very observant and would stop anyone they didn't recognize.   
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	After 'Melancholia' and 'On the Road,' I wanted to do a comedy. And I did so many comedies when I was younger, but if you're not consistently in those movies, people don't always think of you for them.   
 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					