Neil Patrick Harris Quotes
Quotes to Explore
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I'm glad I went through all the normal teenage dramas that a lot of people go through. I can really relate to 'Secret Life' because I witnessed those similar struggles.
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In fiction, too, after the death of Cooper the main tendency for nearly a generation was away from the conquest of new borders to the closer cultivation, east of the Mississippi, of ground already marked.
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I'm not saying I'm a paragon of virtue, but it's hard for me not to be honorable.
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Ignorance and prejudice make for bad advisers.
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Events tend to recur in cycles.
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Without this spirit, Modernist architecture cannot fully exist. Since there is often a mismatch between the logic and the spirit of Modernism, I use architecture to reconcile the two.
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How are men to be secured in any rights without instruction; how to be secured in the equal exercise of those rights without equality of instruction? By instruction understand me to mean knowledge - just knowledge; not talent, not genius, not inventive mental powers.
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It's interesting, because I named my first album after my dad because I wanted to find him. My second album was named after my mom because I felt like I learned all my creative talents I learned from her. All the survival stuff, too. And then the next album is 'Maya,' which is not my real name. It's fake.
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To wanna be me is to go through not just the good but the bad. You wanna share my story identically? Man, you gonna take some lumps.
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Our plans for 'Superman?' I can't say. This is the most super secret thing ever. It's like working for the government, like I'm on a covert mission.
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Writing is my love. If you love something, you find a lot of time. I write for two hours a day, usually starting at midnight; at times, I start at 11.
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'Damages' was cool. It brought me back to New York for a little while, so that was a lot of fun, and I was obviously very excited about the opportunity to work with Rose Byrne and Glenn Close. I'd been a fan of that show before I started working on it.
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I am careful about fiction. A novel is not a tract or an essay. If I want to write about land reforms, or Hindu-Muslim relations, or position of women, I can do it as it affects my characters as in 'A Suitable Boy.' I could only write about issues specifically through essays. But I'll do that only if I have something worthwhile to say.
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Your life continues in those who continue the revolution.
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I do not welcome advice from actors; they are here to act.
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The Internet's like one big bathroom wall with a lot of people who anonymously can say really mean things. It's fine, I believe in freedom of speech and I think people should think what they want, but I don't care to hear it.
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Zef is the underbelly of the Afrikaans culture, but it also, like, is Afrikaans culture.
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That was one of the reasons I became a writer - I never really had that many friends. I would read a lot, and listen to music. And that was my life.
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It took me years to eat a lot of shellfish. I was probably 20 years old before I had even seen a shrimp cocktail. I like oysters, but fried.
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I started to write The Name of the Rose in March of 1978, moved by a seminal idea. I wanted to poison a monk.
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Whether it's Facebook or Google or the other companies, that basic principle that users should be able to see and control information about them that they themselves have revealed to the companies is not baked into how the companies work. But it's bigger than privacy. Privacy is about what you're willing to reveal about yourself.
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A person's job is to feel.
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And if you like 14.4 percent unemployment, if you like the fact that 70 percent of home mortgages in Nevada are underwater, then stay the course. Vote for Harry Reid.
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I like the tube more than the NY subway though, you've got cushioned seats.
