Dave Itzkoff Quotes
How would Jonathan Lethem have obtained such a stellar endorsement for 'The Fortress of Solitude' from Michael Chabon, if not for the years they spent ghostwriting 'MAD' magazine fold-ins together?
Quotes to Explore
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I used to get some flack from my agents because I wouldn't even audition for parts where the hero uses violent force to be a hero.
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My house looks like it was decorated by a 14-year old with a platinum American Express card.
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The upward course of a nation's history is due in the long run to the soundness of heart of its average men and women.
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If someone says, 'I love that lipstick,' I will always try to answer, honestly, if I know what color it is. It's a connective tissue.
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Wong Kar-wai and Ang Lee are two Asian directors I'm really fond of.
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Some campaigns are not worth waging if you can't win; others have to be fought on grounds of principle regardless of the chances for success.
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Painting what I experience, translating what I feel, is like a great liberation. But it is also work, self-examination, consciousness, criticism, struggle.
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There's a great freedom in writing by yourself. You can write anything you want.
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I try to support stories that enable us to see the difficulties in our society and the challenges we face, which is why I've also produced documentaries like 'Brick City' and 'Serving Life.'
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In an ideal world, I'd spend every weekend at my home in Zermatt in Switzerland.
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'Independents' - the industry term for companies that have more capital and know-how than the typical 'wildcatter' - can grow either by exploring and finding reserves or by buying a company that already has them.
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I'm very focused on what I do professionally, and I'm very focused on my family, and I don't really get too stressed out about what people say or what other people think. In fact, it's not on my radar at all. If there's anything negative, I don't want to know about it. I just do my own thing and get on with my life.
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The moon is a friend for the lonesome to talk to.
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Both 'The Daily Show' and 'The Colbert Report,' you're working with the best. When you work with the best, you have to raise your game. If you're working with people who are sub par, you're not forced to give 100 percent because you can get by on 80 percent.
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I don't know how many hills and valleys I've had, how many times I've had to refocus my world and my life and my career.
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Defeating racism, tribalism, intolerance and all forms of discrimination will liberate us all, victim and perpetrator alike.
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'Posh' is not really political. I didn't want to aim a brickbat at the system. Or to bash Old Etonians. It was always the class and privilege aspect of that world that I was most drawn to. There is something endlessly fascinating about imagining something you could never be involved in.
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Truth will always be truth, regardless of lack of understanding, disbelief or ignorance.
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I was taking a break from university so I could play handball full-time for a year.
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I used to be very into fitness and would happily pose for photos in my bikini. Now I look at those and think, 'Where did that body go?' But that was before children.
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[My characters are] conglomerations of past and present stages of civilization, bits from books and newspapers, scraps of humanity, rags and tatters of fine clothing, patched together as is the human soul.
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The principle of inorganic equality was for them crucial. Men of the stamp of Jahn and Arndt had no notion that it was Equality that had first sounded the cry of 'Vive la nation' in the September massacres of 1792.
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How would Jonathan Lethem have obtained such a stellar endorsement for 'The Fortress of Solitude' from Michael Chabon, if not for the years they spent ghostwriting 'MAD' magazine fold-ins together?
