Rami Malek Quotes
I'm very fortunate to have the privilege of working with directors like Bill Condon and Paul Thomas Anderson, who I think is one of the greatest filmmakers of our time.
Quotes to Explore
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I think I'm somebody who takes praise with a very big - probably too big - pinch of salt.
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If you start lifting weights, you will expect to put weight on, as muscle is heavier than fat. But you have to look more at your body shape - you will get heavier - but you might get smaller and heavier at the same time, which is fine. And it doesn't really matter what you weigh as long as you are happy with your shape and size!
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The 'Islam vs. the West' dialogue ceased to be about real people a long time ago.
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Every time I go out there and compete, my number is, of course, $100 million or better.
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Being bi-racial and being from the country, I can talk to guys like Travis Frederick from Wisconsin and Doug Free from Wisconsin. And then I can go over and talk to Dez Bryant. I mean, think about the two different standpoints you need to have a real conversation with both, to really understand what they've been through.
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We want to be on the edge of technology all of the time. We think long-term.
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I realise how important it is to use the time I have. I respect people who want to do that by watching television. I happen to want to read books. But I know I can't read all the books or watch all the movies in one lifetime.
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Did you ever stop to think, and forget to start again?
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This is a way for artists to communicate directly to their fans. If you think of an artist like Bruno Mars, he's using Spotify, creating playlists and listening to music through it.
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Be reactionary. React to what the market wants. And the market wants one-on-one real time engagement. Now that we have the tools to engage, I'm going to continue fighting for the end user.
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I definitely think being a young girl, there's a time where - like when you're in middle school or when you first start liking boys - you don't really feel comfortable. You remember that time when you first got your period, or when your boobs started coming in, that you were like, 'This is weird.' You have to grow into yourself.
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I think Paul McGuinness and U2 created the Irish music industry. It certainly wasn't there before that.
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When I had my first boy it all started and that male energy seemed to keep me awake but since my daughter, who's incredibly serene, I can't seem to stop sleeping because she's asleep all the time. It's a pattern.
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I used to think the press was a necessary evil and now I don't think it is. I think it's something you choose.
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I read a lot of plays as a kid, but I didn't see that many plays, so I feel better-versed in film history and film structure. I just think it's easier to think in pictures.
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I love writing but hate starting. The page is awfully white, and it says, 'You may have fooled some of the people some of the time, but those days are over, giftless. I'm not your agent, and I'm not your mommy; I'm a white piece of paper. You wanna dance with me?' and I really, really don't. I'll go peaceable-like.
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I try to manage my time to conserve energy.
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For me, if the words are good on the page, the rest of it comes from spending some time with the script, and not like you're learning lines but absorbing what the script has to offer.
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I think if I was not in love, I would probably let myself go faster. Love gives me the vanity to continue.
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Culture clash is terrific drama.
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My friend Danny Clinch, who's a photographer, gave me a big, signed, numbered print of a photo he took of Eddie Vedder in Seattle. It's hung in my writing room where I have posters of writers that inspire me. They're all pointing at me. Tom Waits is like, 'Don't sell out!'
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In all the huge and amazing and infinitely varied world--there is only one you.
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I spent two years at the Guthrie Theater in Minneapolis, and then some New York types saw me there as Benvolio in 'Romeo and Juliet.' They sent me some enticing letters - about why didn't I come to New York? - and since it was well below zero that winter in Minneapolis, it didn't take much to get me to leave.
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I'm very fortunate to have the privilege of working with directors like Bill Condon and Paul Thomas Anderson, who I think is one of the greatest filmmakers of our time.
