David Brock Quotes
Quotes to Explore
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Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
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I never was for telephones. Just don't like them, that's all. Anybody wants to talk to you, they can come to see you.
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I was making comebacks every single year. That makes it difficult mentally. It causes a lot of stress.
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A sack is way better than any nightclub. A touchdown is way better than any bar experience I've ever had.
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Researchers looked at news programs on major broadcast and cable networks between 2008 and 2012 and found that of those labeled as domestic terrorists, 81% were identifiable as Muslims - this despite the fact that FBI reports from the period studied revealed that only 6% of domestic terrorist suspects were Muslim.
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Through the years of experience I have found that air offers less resistance than dirt.
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The first single I released, 'Anything Goes,' is probably one of the best-written songs I've heard in a long time. It takes somebody knowing who you are. Sometimes writers know who an artist is and what they want to say and how they sing. I will never be opposed to cutting a song if somebody nails my life and what I'm going through.
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I pinch myself daily at the good fortune of my life, you know, in many ways.
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Female adolescence is - universally - an emotionally and psychologically intense period.
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I wonder now how tough you have to be to get big things done.
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I was always kind of florid. And full of rhetoric. That was my flaw. My whole time writing, I've had to work against that because it can be a wrecking posture.
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In India, there's a way of seeing life as a cosmic play. It's called Lila. I can watch my life, and I can see my guru playing with me.
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Politics is a herd mentality. Politicians don't really lead. Politicians reflect what they think is consensus opinion.
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'Runaround Sue' was a big record for me, as well as the music video for it.
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I didn't understand key signatures or anything, you know. I'd say silly things at the top of a trumpet part like, 'Note, when you play B naturals, make the B naturals a half step lower because they sound funny if they're B naturals.' And some guy said: 'Idiot, just put a flat on the third line and it's a key signature, you know?'
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If I don't train enough, of course I'm nervous.
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The only time to buy these is on a day with no 'y' in it.
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My room is like an antique shop, full of junk, and weird stuff. There's a big sword in there. And a taxidermy bird, and a couple of birdcages. And a lot of newspaper cuttings. I used to have a weird thing about cutting out morbid headlines from newspapers, and collecting them. I was fascinated with drowning, which is kind of strange.
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What I learned from my father is to think big.
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The fact that I have always been deeply invested in politics, and African politics in particular, inevitably played a role in my first novel and, of course, in my decision to write about a handful of particular conflicts in Africa as a journalist.
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The older I've gotten, the more I try to stay out of the gym.
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I was in Kenya when I read 'Catch-22,' and I associate this book that has nothing to do with Kenya - whenever I think of 'Catch-22,' I think of Nairobi.
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When I wrote the Anita Hill book I believed everything I wrote was accurate.
