David Fincher Quotes
The movie is not that violent. There are ideas in the movie that are scary, but the film isn't about violence, the glorification of violence or the embracing of violence. In the movie, violence is a metaphor for feeling. It's a film about the problems or requirements involved with being masculine in today's society.
Quotes to Explore
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This is part of what's driving me, is this feeling like there's so much yet to be discovered in the oceans, and we're destroying it before we even know what's in it.
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I would like to play an average guy. I would have loved to play opposite John Candy in a movie. That was my dream for a long time, and sadly, now I can never realize that. But I'd like to do comedy.
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Together we will act to bring about national reconciliation, secure Malaysia's economic future, and build a stronger, more harmonious society.
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There's book smart, there is street smart, there's relationship smart, there's too many different kinds of smarts to know all of them. Everybody doesn't know every kind of smart. There's money smart, there's movie smart, there's computer smart. There's just too many different kinds of smarts for people to know all the smarts.
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I think movie and television companies are in the business of making money, and if you have a franchise, eventually you'll want to exploit that franchise and revisit it. So I assume at some point someone will do another story in the 'Lost' world.
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'The Pianist' is a movie I could watch over and over again.
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Well, the first thing that clued me in to the fact that there was something really scary about breast cancer, way beyond the thought of dying, was coming across an ad in the newspaper for pink breast cancer teddy bears. I am not that afraid of dying, but I am terrified of dying with a pink teddy bear under my arm.
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What's my audience? British society. Am I received relatively well? Yes. Is there within that... if you break it down, challenges with Muslim communities? Of course there are.
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Size matters in fiction, but so does lack of size. Everything else being equal, fat novels tend to be perceived as serious, very thin ones as more honest, more real. Writers address these age-old expectations by filling their big books with philosophy and cramming their little ones with feeling.
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It would be great to make a movie that had the style of a great '30's film.
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One movie is only one movie. I want to have a lifetime of making films.
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Oh I'm a huge comic book movie fan.
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A society that admits misery, a humanity that admits war, seem to me an inferior society and a debased humanity; it is a higher society and a more elevated humanity at which I am aiming - a society without kings, a humanity without barriers.
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I didn't necessarily have a total idea when I was writing the movie of where everything was going. I just wanted to have really realistic dialogue and write like people I knew talked. I tried to keep it very real.
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The Grimm collections were never intended for children. Not because kids were excluded, but because the division we make today of children's literature didn't exist then. The idea of protecting children from tales with violence didn't occur until the earlier part of the 19th century.
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I guess my feeling is is that if you're going to make a joke, that's fine, but you should also sort of stand behind it, you know? A joke should be more than a joke, it should be a point that you're trying to make.
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I'd hate to be a songwriter starting a career today.
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When I stepped out into the bright sunlight from the darkness of the movie house, I had only two things on my mind: Paul Newman and a ride home.
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#BlackLivesMatter brought a new sense of urgency, audacity, and outrage to the issue of police violence against black men that has made it impossible to ignore, to cover up, or to justify.
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A writer should write what he has to say and not speak it.
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My worry about this exclusive focus on Trump - the personality and how all of this is so unprecedented - is that then the solution seems to be, 'Well, we'll just get rid of Trump.'
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When I was working, there was no digital. We actually worked; we used Polaroids.
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A slavish bondage to parents cramps every faculty of the mind.
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The movie is not that violent. There are ideas in the movie that are scary, but the film isn't about violence, the glorification of violence or the embracing of violence. In the movie, violence is a metaphor for feeling. It's a film about the problems or requirements involved with being masculine in today's society.
